Brian was born in Tucson Arizona. He grew up in a family of musicians and artists. His father and brother played the drums. With all that music around the house, and drums all over the place, it was natural for Brian to start playing the drums as well. Brian was two and a half years old, beating up the furniture and banging on anything that didn't move. After some years of playing and practicing, Brian began his professional career as a drummer at the age of thirteen. In elementary and Jr.high School, Brian also played the cello. That was one instrument that Brian did not feel very comfortable playing. One day in orchestra class at jr. high, the orchestra director came over to Brian and said, hey Brian, you see that big bass over there in the corner? You know that nobody is playing it. Don't you want to play that big cool bass over there? You see, the orchestra director had a plan. He thought that having one bad bass player was better then not having one at all. That was his way of getting Brian to stop trying to saw his cello in half! That day was a blessing in disguise. Brian didn't realize that he had the gift for melody as well as rhythm. With his drumming background, and all this new melody available to him from the bass, Brian knew that this was going to be his path. From ages fourteen to eighteen, Brian locked himself up in a room and practiced day and night. Testing out of high school early and devoting all his time to music, for the next few years Brian played every type of gig imaginable. Quite often Brian would play five to seven nights a week with several different bands. Brian's first big break came in 1979 when Marc Johnson, the wonderful bassist with the great jazz pianist Bill Evans, heard Brian play. Several months later while on tour, Marc ran into legendary jazz saxophonist Stan Getz. Stan was looking for a new bass player and asked Marc if he knew any new young players. Marc told Stan about Brian. Brian auditioned for Stan and joined the Stan Getz quintet in December of 1979. Brian had just turned 19 and spent nearly a year touring the world with Stan and his band.

The American dream came true for Catalina Popescu in October of 1986 when she and her husband Bob created a supper club devoted to serving an experience of superb eats and the shared magic of live performance. That grand experience began at the door where every night her mother Maria would greet each guest as family and share in their love of music. Housed in Hollywood and decked out in a timeless charm, the club offers a cozy ambience under sparkling stage lights garnished with its signature concoction — Jazz. The first artist to grace the stage was the masterful flutist and saxophonist Buddy Collette, and ever since then, over the past 36 years, the Catalina Jazz Club has hosted the most illustrious legends of all time — from the powerful puffers of Dizzy Gillespie to the electrified fingers of McCoy Tyner, the bubbly belt of Dee Dee Bridgewater and Lynda Carter, the flirtatious saxophone of Joshua Redman, the slick strumming of Kenny Burrell, the insane drum clinic of Steve Gadd, the romance of Steve Tyrell, and the masterclass of Mike Stern. For Catalina, Jazz is our way of life. It breathes pain. It knows love. It dreams hope. It bleeds courage. Whether we’re showcasing Broadway, Soul, R&B, or stand-up comedy, the lesson learned from all the greats who have serenaded our spirits is how to connect to one another. And that’s why the Catalina Jazz Club will always have a table ready for you. The Catalina Jazz Club has been honored by A.S.M.A.C., California Jazz Foundation, Los Angeles Jazz Society, and a City of Los Angeles Certificate of Appreciation on their 25th Anniversary, which was awarded by Mayor Antonio Villaraigosa and the LA City Council which included then City Council member and current Los Angeles Mayor Eric Garcetti.