NEA jazz master Billy Hart is one of the most sought-after jazz drummers of his generation, able to perform in diverse contexts ranging from straight-ahead to avant-garde to pop. He appears on more than 600 recordings, including five with his critically-acclaimed quartet, the most recent being Multidirectional on Smoke Sessions. 

Hart grew up in the nation's capital in a music-loving family who introduced him to jazz early on. His maternal grandmother bought him his first drum set. At age 17, he was hired by the great local saxophonist Buck Hill for an extended gig with his band, which also featured two of Hart's high school classmates, pianist Reuben Brown and bassist Butch Warren. His next important mentor was singer and pianist Shirley Horn. After being established locally, Hart spent most of the 60s touring with three of the preeminent working groups of the era, Jimmy Smith, Wes Montgomery, and Eddie Harris. 

After moving to New York, Hart became associated with a group of like-minded and forward thinking musicians, recording with Pharaoh Sanders, Wayne Shorter, McCoy Tyner, Joe Zawinul, and, especially, Herbie Hancock, with whom Hart spent three productive years in the band now known as Mwandishi. He also appeared on the seminal Miles Davis 1972 album On the Corner. 

Other notable associations include four years with Stan Getz, almost ten years with Charles Lloyd, and record dates ranging from standard bearers like Frank Foster, Clark Terry, Horace Silver to experimentalists like Joanne Brackeen, Geri Allen, and James Newton. Notable cooperatives with Hart include Quest and The Cookers, and he released a memoir, Oceans of Time, in 2025. 

 

In 2002 Ethan Iverson helped form The Bad Plus, a revolutionary and wildly successful avant-garde trio that The New York Times said was “Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.”
Since leaving TBP, Iverson has released critically-acclaimed albums on ECM and Blue Note, often accompanied by bonafide jazz stars such as Tom Harrell or Jack DeJohnette. Downbeat has called Iverson “A master of melody” while Hot House recently raved, "Known for his intellectual depth and adventurous musical spirit, Ethan Iverson has traversed the boundaries of jazz tradition while leaving an indelible mark on its evolution.” After witnessing a 2024 concert of standards spontaneously chosen by the audience, Stereophile wrote, “Iverson is a natural, consistent crowd-pleaser. For his entire career, he has been finding ways to be accessible while pushing the envelope.”

Iverson also has a long-standing relationship with the great modern dance choreographer Mark Morris and still holds down the piano chair in drum legend Billy Hart’s long-running quartet. On top of his activities as a pianist and composer, Iverson has an active career as a writer, publishing significant criticism in The Nation, JazzTimes, The New York Times, and the Culture Desk of The New Yorker, in addition to posting frequently on his Substack, Transitional Technology.