Beartooth - The Below Tour Part II

Sat Apr 2 2022

6:00 PM Doors

Brooklyn Bowl Las Vegas

3545 Las Vegas Blvd South, Suite 22 Las Vegas, NV 89109

$32.50 - $ 37.50

All Ages

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$32.50 General Admission
$35.00 General Admission (week of show)
$37.50 General Admission (day of show)

Citi Presale: Tues, Dec 14th @ 9am PST
KF Presale: Wed, Dec 15th @ 7am PST
Ticketmaster Presale: Wed, Dec 15th @ 12pm PST
Live Nation Presale: Thurs, Dec 16th @ 12pm PST
BBLV Presale: Thurs, Dec 16th @ 10am PST

ALL SUPPORT ACTS ARE SUBJECT TO CHANGE WITHOUT NOTICE
 

Please note this show is requiring all fans to provide proof of a negative COVID-19 test within 72 hours of the event OR full vaccination for entry. 

 

Proof of your vaccination record (vaccination card or picture of your card with a matching ID card), demonstrating you were fully vaccinated at least two weeks in advance of the day of show. OR proof of a negative COVID test, administered within 72 hours of the day of show, with matching ID card.

A negative PCR or antigen COVID-19 test will be accepted. Please be sure to bring printed or digital proof of your negative test result, dated and time-stamped. At home test will not be accepted for entry

 

Acceptable Vaccines include: Pfizer | Moderna | Johnson & Johnson | vaccines authorized by WHO (if vaccinated outside of the U.S.)

 

MASKS: In accordance with local guidelines: Until further notice, masks are required to be worn at all times for attendees, regardless of vaccination status, except while actively eating or drinking. All Brooklyn Bowl staff are fully vaccinated and must wear masks while inside the venue.



By purchasing a ticket you acknowledge you will be required to show proof of vaccination or a negative test result. There will be no refunds for purchased tickets based on non-compliance of venue COVID-19 protocols, however, if you are unable to attend a show due to a positive Covid-19 test, please reach out to vegasinfo@brooklynbowl.com and we will help facilitate a full refund. 

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable.  By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of  COVID-19.

 

 

All guests must have a valid government/state issued ID for entry to the venue. No refunds.

Tickets purchased in person, subject to $2.00 processing charge (in addition to cc fee, if applicable).

All general admission tickets are standing room only.

ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX

Special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.

*Advertised times are for doors -- show time not available*

* Venue closes between 12am - 1am unless otherwise noted*

Live Nation Presents
Beartooth - The Below Tour Part II

  • Beartooth

    Beartooth

    Hardcore Punk

  • Silverstein

    Silverstein

    Emo

    For the past two decades, Silverstein have relentlessly pushed themselves to become the best version of the band for both themselves and their fans. That determination has led the Ontario-based five-piece from their underground roots to becoming one of the most influential bands in their scene, playing two thousand-plus shows all over the globe, and selling over a million records. Now Silverstein are celebrating their 20th anniversary with the release of their 9th, and perhaps strongest album to date: A Beautiful Place To Drown.



    While many bands would take their 20-year anniversary as an opportunity to rest on the laurels of nostalgia, Silverstein (vocalist Shane Told, guitarists Paul Marc Rousseau and Josh Bradford, bassist Billy Hamilton, and drummer Paul Koehler) see the landmark as a time to appreciate how far they've come, while also channeling all those years of experience into something new. Rousseau explains, "To me, the best way to honor the anniversary is to keep doing what got us this far. Being adventurous has always been part of what the band does - we keep focusing on moving forward." A Beautiful Place To Drown finds the band deftly balancing their core sound - an intensely dynamic mix of melody and aggression, rooted in the energy of hardcore punk and the unabashed earnestness of emo - with their natural growth as songwriters and evolving inspirations. "We have so many fans that have been with us from the beginning and have grown up with us, but at the same time we have new people that come on board with each album," says Told. "So we really do try to find a way to please the people who have been with us from the start while also having some modern aspect to what we do."



    Forged in their longevity, the confidence Silverstein has in one another enables the band to find this sort of careful songwriting alchemy. "Everyone has carved out their role," Koehler says. "And we trust each other in those roles." Rousseau, the "newest" member of Silverstein (after joining in 2012 following four years of touring as the band's guitar tech), found his songwriting duties expanding along with his enthusiasm for pushing the band into new territory. "The only clear objective I have when I start writing is to not repeat myself," he says. "This far into our career I was feeling a lot of freedom because we already have this large back catalog. It felt like a hall pass to see what Silverstein could potentially sound like." A Beautiful Place To Drown fulfills that potential, seamlessly merging the band's evergreen strengths with a daring approach to composition and production. Recorded with producer/engineer Sam Guaiana, the album's 12 tracks blend vibrant contemporary sonics with walls of distorted guitars and pummeling drums to create a sound that's stunningly cohesive, and undeniably Silverstein. "When we started the band, we had a lot of rules for ourselves, but once you let go you realize there's so many ideas you might enjoy trying," Told says. "But we've always made the songwriting paramount. If you boil it down to a great song, it doesn't matter what era it's from or what production it has."



    The opening salvo of "Bad Habits" and "Burn It Down" wastes no time in delivering the familiar Silverstein drive, but within the explosive riffs and propulsive rhythm section there's an element of potent pop songcraft—a sharpness to melodies that makes each anthemic chorus all the more effective. The songs also begin to introduce the album's lyrical motifs: an exploration of the mental duress that seems to become more and more inescapable in a world struggling to deal with the personal and societal challenges of modern life. Rousseau explains, "Everywhere you look people are dealing with these controlling invisible forces like anxiety and depression. It can be a suffocating presence." Told adds, "Everything that's going on in the world can directly affect your mental state, and that strife is so palpable that it's found its way into the songs." Tracks like "Shape Shift" and "September 14th" grapple with powerlessness in the face of those who abuse positions of power, while "Infinite" and "Madness" look at the toll of mental illness and the vicious cycles that can exacerbate it.



    The latter songs feature two of the album's numerous guest spots, and while contributions from other artists has been a longstanding tradition throughout Silverstein's discography, the collaborations on A Beautiful Place To Drown seem particularly representative of the band's past, present, and future. Old friends (Underoath's Aaron Gillespie, Beartooth's Caleb Shomo, and Simple Plan's Pierre Bouvier) and new ones (Interval's Aaron Marshall, and Princess Nokia) make appearances that feel like a celebration of the band's wide-reaching impact as well as their ability to win over listeners in all worlds of music. "I think people care less about labels and genres than they ever have," Told says. "We've always been okay with how emo can mean so many different things, and from the start we wanted our band to bend genres."



    That willingness to follow their own path has been an integral part of the past 20 years of Silverstein, and A Beautiful Place To Drown once again proves the band's unique compass is true. "I think we've always had something to prove," Koehler says. "When you lose that, you pack it in. But we always have goals, things we want to do and want to do better." Told laughs, "I don't know how other bands operate, I'm still in my high school band!" But looking at all they've accomplished and all that's to come, he echoes Koehler's sentiment: "It's harder to gauge success these days but we're still making what we believe is our best music. It's nice to know that we've survived and we did it in a way that feels right."

  • The Devil Wears Prada

    The Devil Wears Prada

    Progressive Metal

  • Erra

    Erra

    Progressive Metal

    ERRA HAS MADE A NAME FOR THEMSELVES ON THEIR OWN TERMS. DETERMINATION AND STEADFAST DEDICATION HAVE DEFINED ERRA’S PATH, FORGING A UNIQUE CONNECTION WITH AN EVER-GROWING AUDIENCE, WITHOUT THE ADVANTAGES OF TRADITIONAL RECOGNITION. TITANIC RIFFS AND ENCHANTING MELODIES LITTER THE CEREBRAL, IMMERSIVE SOUNDSCAPES POWERING EACH OF THE PROGRESSIVE METAL MERCHANT’S ALBUMS, CULMINATING IN A CAREER-DEFINING FIFTH, BOLDLY TITLED ERRA.

    NEW SONGS LIKE “SNOWBLOOD,” “HOUSE OF GLASS,” “DIVISIONARY,” AND “SHADOW AUTONOMOUS” CONJURE THE CRUSHING HEAVINESS AND SOARING MELODIC MIGHT OF FAN-FAVORITE ANTHEMS LIKE “BREACH,” “SKYLINE,” AND “EYE OF GOD,” WHILE BROADENING THE BAND’S REACH WITH MEDITATIVE EXPANSIVENESS, TRIPPY NEAR-PSYCHEDELIA, AND HAUNTING HOOKS.

    ERRA WAS RECORDED, MIXED, AND MASTERED BY CARSON SLOVAK AND GRANT MCFARLAND, THE GRAMMY-NOMINATED DUO RESPONSIBLE FOR ESSENTIAL RECORDS FROM AUGUST BURNS RED AND FROM ASHES TO NEW. IT’S A DEFINITIVE MISSION STATEMENT FOR GUITARIST/VOCALIST JESSE CASH, VOCALIST J.T. CAVEY, DRUMMER ALEX BALLEW, BASSIST CONOR HESSE, AND GUITARIST SEAN PRICE, EACH OF THEM ALREADY WELL-RESPECTED PLAYERS REVERED FOR THEIR INSPIRING TECHNICALITY AND RAW, NATURAL TALENT.

    THE DECISION TO SELF-TITLE THE ALBUM SUITS THE THEMES OF SELF-REFLECTION AND CONFRONTATION WOVEN THROUGHOUT THE RECORD’S MESMERIZING 12-SONGS. PREVIOUS ERRA ALBUMS IMPULSE (2012), AUGMENT (2013), DRIFT (2016), AND NEON (2018) SAW THE BAND SPOTLIGHTED ON TASTEMAKER PLAYLISTS, AS THE BAND’S SPOTIFY PLAYS SOARED PAST 72 MILLION.

    “IT’S CLEARLY AN EVOLUTION OF THE SAME BAND, IT SOUNDS LIKE A RECORD WE WROTE, BUT IT’S SUCH A BIG STEP FORWARD FROM THE LAST ONE THAT IT SEEMED LIKE THE PERFECT TIME TO SELF-TITLE A RECORD,” CASH EXPLAINS. “PEOPLE WHO HAVE BEEN FOLLOWING ERRA, WE WANTED TO GIVE THEM THE SENSE THAT WE’RE STARTING A NEW CHAPTER, WITH SOMETHING FRESH.”

    CAVEY CONCURS. “WE’VE ALWAYS TRIED TO HAVE A BALANCE OF CLASSIC SONG STRUCTURES, INTERTWINED WITH EXPERIMENTAL ADVENTURES,” HE SAYS. “THIS ALBUM ESPECIALLY IS MUSIC WRITTEN FOR MUSICIANS THAT ALSO APPEALS TO THE MASSES. THERE ARE A LOT MORE BREAKDOWNS ON THIS RECORD, BUT ALSO BIGGER MELODIES. I PUT A LOT OF FOCUS ON SIMPLIFYING WHAT I’M DOING, PERSONALLY, TO MAKE THE SONGS MORE MEMORABLE. THE MOST IMPORTANT THING WAS TO WRITE MUSIC WE ENJOY.”

    FACEBOOK GROUPS AND HASHTAGS ORGANIZED AROUND THE BAND’S DENSE MUSIC AND HEADY BUT RELATABLE LYRICS HAVE HELPED FURTHER THE ERRA MISSION, RESULTING IN MULTIPLE NO. 1 HEATSEEKERS PLACEMENTS ON BILLBOARD. ERRA HAS TOURED THE WORLD WITH DANCE GAVIN DANCE, AUGUST BURNS RED, TESSERACT, AND THE ACACIA STRAIN, AMONG OTHERS. IT ALL RESULTED IN A WORLDWIDE AUDIENCE DEVOTED TO THE ALABAMA BASED BAND’S CATALOG, EAGER FOR EACH NEW MISSIVE.

    ERRA CONFRONTS DEPRESSION, ANXIETY, AND DESPERATION THROUGHOUT THEIR NEW ALBUM. THEY TAKE LISTENERS ON A NEAR-OUT-OF-BODY JOURNEY TO THE INFAMOUS SUICIDE FOREST OF JAPAN; INTO EPISODIC STORYTELLING THAT WOULD MAKE BLACK MIRROR WRITERS PROUD; AND INTO THE LITERARY WORKS CORMAC MCCARTHY AND PLAYRIGHT/FILMMAKER DAVID MAMET.

    “I WAS GOING THROUGH A TOUGH TIME, AFTER A BREAKUP, WHEN ANDY GLASS FROM WE CAME AS ROMANS TURNED ME ON TO ECKHART TOLLE,” CASH SHARES. “A LOT OF THE INFORMATION REALLY SEEMED TO STICK. MANY OF THE SONGS TALK ABOUT BEING PRESENT, BEING CONSCIOUS, WITHOUT SOUNDING FORCED OR CONTRIVED, OR LIKE STANDARD OPTIMISTIC METALCORE CLICHES.”

    THE ALBUM OPENS WITH A VIVID PICTURE OF HORROR IN “SNOWBLOOD.” “DIVISIONARY” DRAWS A DISTURBING PARALLEL BETWEEN TECHNOLOGY AND RELIGION. “HOUSE OF GLASS” TOUCHES ON SELF-HARM, ZEALOUSNESS, AND RECONCILING WITH THE LOSS OF AN ABANDONED IDEOLOGY. THERE IS A DUALITY IN “SHADOW AUTONOMOUS.” PHYSICS, VICES, CULTURAL DIVIDES, AND EVEN THE TALE OF TWO LOVERS CAN BE FOUND ELSEWHERE ON ERRA. (THE MAJORITY OF THE ALBUM’S LYRICS WERE PENNED BY PRIMARY SONGWRITER CASH, WITH JT HANDLING ALL OF “EIDOLON.”) “MEMORY FICTION” IS INSPIRED BY CASH’S FAVORITE CORMAC MCCARTHY QUOTE: “HE THOUGHT EACH MEMORY RECALLED MUST DO SOME VIOLENCE TO ITS ORIGINS. AS IN A PARTY GAME. SAY THE WORDS AND PASS IT ON. SO BE SPARING. WHAT YOU ALTER IN THE REMEMBERING HAS YET A REALITY, KNOWN OR NOT.”

    THE DOWN-TUNED ATMOSPHERE OF DEFTONES AND TOOL ARE CENTRAL INGREDIENTS, ALONGSIDE THE INVENTIVENESS OF NINE INCH NAILS AND THE URGENCY OF NORTHLANE AND ARCHITECTS. THE MELODIC SIDE OF THE BAND OFTEN DRAWS FAVORABLE COMPARISONS TO CIRCA SURVIVE AND SAOSIN. ALL OF THESE COMPONENTS ARE FILTERED THROUGH ERRA’S UNIQUE SENSIBILITY AND EXPERIENCE, RESULTING IN A SINGULAR CREATIVE IDENTITY BOTH WARMLY FAMILIAR AND REFRESHINGLY FORWARD-THINKING.

    “MOST OF OUR FANS KNOW THAT I WASN’T COMPLETELY HAPPY WITH OUR LAST RECORD. I WANTED IT TO BE BETTER,” CASH ADMITS. “I WAS STRUGGLING TO GET THROUGH IT, A BIT. BEING IN THE RIGHT HEADSPACE THIS TIME AROUND WAS JUST HUGE. IT CHANGED EVERYTHING. MAKING THIS RECORD WAS JUST FUN. THERE WAS NO REAL STRESS INVOLVED IN IT FOR US. IT WAS A BLAST.”

    “BY NATURE, ERRA’S MUSIC IS GOING TO BE DIFFERENT THAN MOST METALCORE BANDS, BECAUSE WE ARE STILL PRETTY DAMN COMPLICATED,” CAVEY ADDS, WITH A LAUGH. “THESE SONGS ARE STILL NOT EASY TO PLAY. BUT WE PUT LESS PRESSURE ON OURSELVES TO BE CRAZY [TECHNICAL]. I MADE SURE A LOT OF MOMENTS ON THIS NEW ALBUM ARE JUST COOL AND CATCHY.”

    AS THEIR MUSIC FINDS THE BALANCE BETWEEN THE CRUSHINGLY HEAVY AND THE HEADILY MELODIC, ITS MEMBERS SEEK TO FIND HARMONY BETWEEN THE NEEDS OF THE INDIVIDUAL AND THE NATURAL FLOW OF THIS SHARED REALITY. ERRA, AS A BAND OF BROTHERS AND CREATIVE FORCE, STRIVE TO LIVE IN ALIGNMENT WITH THE PRESENT MOMENT. ERRA, THE ALBUM, REPRESENTS REDEMPTION FOR THE BAND, WHO EMERGED FROM THE CREATIVE PROCESS WITH RENEWED FOCUS AND CONFIDENCE, OF CERTAINTY AND SELF. ERRA IS PART MILD-ALTERING SUBSTANCE, PART MEDITATION, REVELING IN EACH MUSICAL MOMENT OF EXULTATION.

     

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 8 per person
Main Floor, General Admission (Standing Room Only)
One General Admission ticket to the concert. This ticket is a revocable license for the time/date listed on the ticket. No refunds.
General Admission (Advanced)
$32.50
Stage Level Bowling Lane for up to 8 People.
One bowling lane with seats and a table, shoe rental, food and drink service, and $450.00 of food and beverage credit for you and your party to spend as you like. Fees and tax included in the price. NOT VALID WITHOUT PURCHASE OF GA TICKETS
Lane 5
$595.69
Lane 6
$595.69
Lane 8
$595.69
Lane 9
$595.69
Lane 10
$595.69
Lane 11
$595.69
Lane 12
$595.69

Delivery Method

ticketFast

Terms & Conditions

Please note this show is requiring all fans to provide proof of a negative COVID-19 test within 72 hours of the event OR full vaccination for entry.

All fans must have received a negative COVID-19 diagnostic test within 72-hours before entry to the facility and provide printed proof of a negative result prior to entering the venue. Or, be fully vaccinated against COVID-19 (at least two weeks after final dose) and provide proof of vaccination

By purchasing a ticket you are acknowledging you will be required to show proof of vaccination or negative test result. There will be no refunds for tickets purchased, due to specific venue covid-19 protocol. If you receive a positive test before the show, please reach out to vegasinfo@brooklynbowl.com and we will help facilitate a full refund.

ALL SALES ARE FINAL. NO REFUNDS OR EXCHANGES
Live Nation Presents

Beartooth - The Below Tour Part II

Sat Apr 2 2022 6:00 PM Doors

Brooklyn Bowl Las Vegas Las Vegas NV
Beartooth - The Below Tour Part II

$32.50 - $ 37.50 All Ages

$32.50 General Admission
$35.00 General Admission (week of show)
$37.50 General Admission (day of show)

Citi Presale: Tues, Dec 14th @ 9am PST
KF Presale: Wed, Dec 15th @ 7am PST
Ticketmaster Presale: Wed, Dec 15th @ 12pm PST
Live Nation Presale: Thurs, Dec 16th @ 12pm PST
BBLV Presale: Thurs, Dec 16th @ 10am PST

ALL SUPPORT ACTS ARE SUBJECT TO CHANGE WITHOUT NOTICE
 

Please note this show is requiring all fans to provide proof of a negative COVID-19 test within 72 hours of the event OR full vaccination for entry. 

 

Proof of your vaccination record (vaccination card or picture of your card with a matching ID card), demonstrating you were fully vaccinated at least two weeks in advance of the day of show. OR proof of a negative COVID test, administered within 72 hours of the day of show, with matching ID card.

A negative PCR or antigen COVID-19 test will be accepted. Please be sure to bring printed or digital proof of your negative test result, dated and time-stamped. At home test will not be accepted for entry

 

Acceptable Vaccines include: Pfizer | Moderna | Johnson & Johnson | vaccines authorized by WHO (if vaccinated outside of the U.S.)

 

MASKS: In accordance with local guidelines: Until further notice, masks are required to be worn at all times for attendees, regardless of vaccination status, except while actively eating or drinking. All Brooklyn Bowl staff are fully vaccinated and must wear masks while inside the venue.



By purchasing a ticket you acknowledge you will be required to show proof of vaccination or a negative test result. There will be no refunds for purchased tickets based on non-compliance of venue COVID-19 protocols, however, if you are unable to attend a show due to a positive Covid-19 test, please reach out to vegasinfo@brooklynbowl.com and we will help facilitate a full refund. 

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable.  By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of  COVID-19.

 

 

All guests must have a valid government/state issued ID for entry to the venue. No refunds.

Tickets purchased in person, subject to $2.00 processing charge (in addition to cc fee, if applicable).

All general admission tickets are standing room only.

ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX

Special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.

*Advertised times are for doors -- show time not available*

* Venue closes between 12am - 1am unless otherwise noted*

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 8 per person
Main Floor, General Admission (Standing Room Only)
One General Admission ticket to the concert. This ticket is a revocable license for the time/date listed on the ticket. No refunds.
General Admission (Advanced)
$32.50
Stage Level Bowling Lane for up to 8 People.
One bowling lane with seats and a table, shoe rental, food and drink service, and $450.00 of food and beverage credit for you and your party to spend as you like. Fees and tax included in the price. NOT VALID WITHOUT PURCHASE OF GA TICKETS
Lane 5
$595.69
Lane 6
$595.69
Lane 8
$595.69
Lane 9
$595.69
Lane 10
$595.69
Lane 11
$595.69
Lane 12
$595.69

Delivery Method

ticketFast

Terms & Conditions

Please note this show is requiring all fans to provide proof of a negative COVID-19 test within 72 hours of the event OR full vaccination for entry.

All fans must have received a negative COVID-19 diagnostic test within 72-hours before entry to the facility and provide printed proof of a negative result prior to entering the venue. Or, be fully vaccinated against COVID-19 (at least two weeks after final dose) and provide proof of vaccination

By purchasing a ticket you are acknowledging you will be required to show proof of vaccination or negative test result. There will be no refunds for tickets purchased, due to specific venue covid-19 protocol. If you receive a positive test before the show, please reach out to vegasinfo@brooklynbowl.com and we will help facilitate a full refund.

ALL SALES ARE FINAL. NO REFUNDS OR EXCHANGES