TICKET SALES TERMINATED
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Phenomenon / Lucky Man Present
Bad Religion / Alkaline Trio
Sun, 17 October
Doors open
6:00 PM MST
Marquee Theatre
730 N Mill Ave, Tempe, AZ 85281
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
The Marquee, along with several other Arizona independent venues, will require proof of COVID-19 vaccination or a negative COVID-19 test result to attend a concert or event starting on September 20, 2021.
All attendees must be vaccinated against COVID-19 and provide proof of vaccination [either the original card, or Clear app digial validation of the vaccination card] OR have received a negative COVID-19 diagnostic test (done by a health provider) within 72-hours before entry to the facility and provide printed proof of a negative result prior to entering the venue.
We encourage everyone who can receive a vaccination to do so, for their own benefit and for the benefit of all of us. We are taking the this necessary step for Arizona’s music fans to ensure that all concerts this fall can happen as scheduled.
Thank you for your cooperation and understanding.
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THIS SHOW IS GENERAL ADMISSION. NO SEATS ON THE MAIN FLOOR. STANDING ROOM ONLY. LIMITED SEATING AVAILABLE IN BALCONY. BALCONY IS FOR PATRONS 21 YEARS OF AGE AND OLDER WITH PROPER ID. BALCONY SEAT TICKET MUST BE PURCHASED FOR SEATING.
NO REFUNDS/ EXCHANGES UNLESS HEADLINER CANCELS.
ALL TICKET SALES ARE SUBJECT TO SERVICE FEES.
PARKING IN THE MARQUEE LOTS IS AN ADDITIONAL $10.00 PER SPACE USED. CASH ONLY AND PAID TO THE PARKING ATTENDANTS NIGHT OF THE EVENT
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This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.
Event Information
Age Limit
All Ages

Punk
War On Women
War On Women
Punk
War On Women is a co-ed feminist hardcore-punk band. Formed in Baltimore, MD in 2011, W.O.W. use driving riffs and in your face vocals that attack the listener both sonically and lyrically, penning catchy and confrontational songs that touch on rape culture, street harassment, the gender wage gap, transphobia, and other vitally pertinent social issues.
Riff-fueled manifestos are nothing new for War On Women. The co-ed feminist punk troupe has been tackling injustice one song at a time since their 2010 inception. Storming out the gate with teeth gnashing and spitting venom, War On Women’s self-titled 2015 debut crossbred riot grrrl ferocity with the nimble aggression of thrash. Hailed for their crystalline jabs at societal ills, War On Women prove that hardcore can incite change that ripples far beyond the parameters of the stage.
War On Women are neither a crew of young bucks nor a contagion of seasoned legends. They don’t fit neatly into metalloid machismo or hulking hardcore tropes. They have nothing to prove, and there’s nothing more delightfully dangerous than that.

