Listen to Jonell Mosser just once in concert and you’ll be an instant believer. She sings with all-out passion and heart. No frills. No games. Just a soulful intensity that makes you realize you’re in the presence of the real thing, not some manufactured, corporate-approved diva of the sort littering the landscape these days.  By STEVE MORSE, former staff writer at the Boston Globe for nearly 30 years, who has also written for Billboard and served on the nominating committee of the Rock and Roll Hall of Fame. Jonell is as honest as they come, both in her personal life and in her music. Her voice is stunning in its raw power, scope, and ability to take you places where you’ve never been. In addition to her four official album releases, she will be releasing a new album this year.   Jonell's Music Journey Past Jonell started singing at a young age, rising to do jazz standards in piano bars in her childhood home of Louisville. Her dad, a retired Air Force Master Sargent, had died of a heart attack when she was 3, so she was brought up by her mother, Joy, who loved jazz. “I listened to all the big band stuff,” Jonell recalls. “I loved Rosemary Clooney, Nat King Cole and Billie Holiday. She bought me 45s and albums from the time I was 5 or 6. Later on, my brother had great records by Jethro Tull, Al Green and Dobie Gray.” And what about Janis Joplin, to whom she has been compared? “I didn’t like her at first. Janis seemed unattainable. And on the other side, Aretha Franklin seemed unattainable. So I was drawn more to men’s voices, like when I heard Otis Redding for the first time. And James Taylor, of course. I adored him and Jackson Browne and Dan Fogelberg. And then I found Lowell George and Little Feat.” She also loved Texas singer-songwriter Townes Van Zandt {whom she first met in Bowling Green around 1978 or ’79} and her debut album was a 1996 compilation of Townes covers called “Around Townes.” Solo Projects Her second album was “So Like Joy” in 2000, a smart, sophisticated batch of songs that Jonell wrote with John Hall (of Orleans fame) and Johanna Hall. They have been major believers in her. The disc included the high-arcing ballad “Do You Love Me” and the stylish title track, about letting go of regret. It is a connoisseur’s record. Next up was “Enough Rope,” a 2001 album that Allmusic.com proclaimed had “enough class, muscle and tough grace to stand out from the pack.” Then a lull followed as Jonell turned to raising her sons, before her “powerful “Trust Yourself” CD came out. The title track was a Dylan song given new heft by Jonell, while other stand outs were three co-writes with the Halls, and a sax-laced soul version of Harlan Howard’s “The Chokin’ Kind.” And perhaps the most intriguing project she’s been involved with in the last few years or so is being one of the Freedom Singers, who perform under the auspices of the First Amendment Center headed by former USA Today editor Ken Paulson. They feature songs that were once banned or censored, such as George M. Cohan’s “You’re a Grand Old Rag” (later changed to “Grand Old Flag”) and the controversial Billie Holiday tune, “Strange Fruit. ”It adds up to a highly unique career with no end in sight. “I’ve made a lot of mistakes in this business, but I feel successful as a human being,” says Jonell. I play and sing every day” “I’ve gotten to sing with Mavis Staples. I’ve gotten to sing with Levon Helm, and with Sam Moore, Bruce Cockburn, Waylon Jennings and Kris Kristofferson. I’ve gotten to meet and play music with so many great people, most of whom I feel I can call my friends” “That means everything to me” Now it could be Jonell’s moment to grab the spotlight. “I feel a tidal wave coming,” she says hopefully. “I just don’t want to get buried by it. I want to ride it.

It is a rare creative soul who can work at the highest artistic levels in two distinct disciplines. Ray Stephenson has just this kind of soul.   Wildly literate, utterly artistic, impossibly ambitious, absolutely a slave to his art, the South Georgian is completely committed to the truth. He is a world class  songwriter, recording artist, an intensely captivating live singer, guitar player, record producer & virtuoso painter. Add in the ability to express the uniquely personal in a universal way, and you have a true artist.  Ray Stephenson does exactly that in his paintings, his songwriting & his performances.    As a musician, Ray Stephenson is a Grammy Award winning, Platinum selling singer/songwriter from Nashville, TN. His successes include winning CCMA Songwriter of the Year in 2013, writing the title track of Kenny Chesney’s album Hemingway’s Whiskey, and writing the Blake Shelton/Miranda Lambert duo and album title track, Red River Blue. Both reached #1 on the Billboard Album Charts and were certified Platinum. Some of the most revered and iconic legends in Country Music have recorded his music, including Willie Nelson, Kris Kristofferson, and Merle Haggard. He’s been a part of 4 Grammy nominated projects and 1 Grammy winning project (Guy Clark’s final recording, My Favorite Picture Of You, which brought home the Grammy “Best Folk Album” in 2015). ​ As a painter, Ray's paintings are hanging in the homes of collectors like Willie Nelson and Oprah Winfrey.  In 2012, Ray became the Official Painter of the Monsters of Rock Tour. He’s been featured at the Bluebird Cafe, Ascend Amphitheater, Nashville Airport, the Country Music Hall of Fame ,Gaylord Hotels, Aloft Hotel, 3rd and Lyndsley, CMT and Two Old Hippies. He's had feature articles in Nashville Arts & Southwest Georgia Living magazines.   His paintings explore his love of color, texture, music & nature. Ray’s artistic influences are found in the paintings of Odd Nerdrum, Gustav Klimpt, Rembrandt and Andrew Wyeth. His fine art is highly sought after by art collectors & is a part of several prestigious private collections. He has exhibited his work in Nashville, Las Vegas, San Francisco, Atlanta, & the US Virgin islands.