The world is a vastly different place than it was just a few years ago, and Atmosphere’s seventh album, Mi Vida Local, reflects the ways in which the world, and Atmosphere’s place in it­, has changed. The idyllic domesticity of their past few records has morphed into anxiety over keeping loved ones safe during turbulent times. Instead of bragging about backstage misadventures it’s about grappling with mortality. The easygoing collaboration between Ant and Slug has started to feel more like the life-or-death intimacy of two men trapped together on a lifeboat. At times it’s a heavy album (“I might be the last generation of grandparents,” goes a key line from “Virgo”), but it’s far from grim. There are jokes being cracked, joints getting smoked, a little trash talking here and there– after all, it’s still a rap record. And Atmosphere’s never sounded better. As the name implies, Mi Vida Local is intensely focused on the place it was created– the southside of Minneapolis– where Slug and Ant work tirelessly in their “beautiful basements”, refining their sound without interruption, save for a handful of friends from the Minneapolis hip-hop community who showed up to contribute. A year of one-on-one collaboration resulting in an album that matches complex subject matter with equally deep beats– ones that show a clear lineage back to the psychedelic funk landmarks from an earlier era where America was going through a post-utopian hangover, and prove that there won’t ever be a time where boom-bap beats don’t sound perfectly of the moment. Mi Vida Local might be the best album Atmosphere’s ever made. It’s definitely the one they needed to make right now, and one listeners need to hear just as urgently. If it’s sometimes an album about how the fight to find happiness never really ends– even after you get the house and the kids and the artistic freedom to make dad-rap records– it’s also about discovering that there’s happiness to be found just in fighting.

Joshua Evans first began his journey penning poems as a freshman in high school. After four years of being the frontman of his high school band, he made a decision to go solo. Dem Atlas was born. Evans describes Dem Atlas as having two sides, despite only being one person. “It’s sort of like there’s two of us,” Evans says. “Dem is the unenlightened and ignorant side, whereas Atlas is the mythic, holy figure in control; he is all-powerful, all-knowing and all-seeing.” Dem used his musical experiences to propel himself into different textures and sounds of music, ranging from Folk to Alt-Rock to Hip Hop. Moved by art, friendship and spirituality, Dem Atlas conveys through his music the duality between Man & God, Ignorance & Brilliance, Enlightenment & Obscurity. Having spent the last year performing in and around Minneapolis  in support of his early 2013 debut EP release, Charle Brwn,  Dem Atlas is ready to deliver his messages to a broader landscape. City Pages' Jack Spencer comments on the EP: "With a style that recalls underground West Coast legends like the Pharcyde and Freestyle Fellowship, Dem Atlas brings crazy energy and positive vibes to every track he touches. The quick-paced flow and melodic voicing smoothly floats along beats as he talks about his inner thoughts and feels a kinship with Charlie Brown. Charle Brwn packs a big punch and a lot of emotion into a relatively short work, and solidifies Dem Atlas as a rapper to whom you should pay close attention.

"Her hustle is uncanny, her drive is relentless"!... 23 Year old Recording Artist x Female Rapper x Engineer x SESAC Affilate, Producer x Femcee x Songwriter... Queen.

Influenced by the music she grew up with,especially female artists. Loves bringing people together by creating a high energy atmosphere with dope remixes and throwback jams!