Former Bluebird Cafe bartender Mark Irwin co-wrote Alan Jackson's first number one hit "Here In The Real World", a two time CMA Song of the Year nominee and winner of the Music City News’ Award for Song of the Year 1990.  As well as having songs on Alan Jackson's more recent CD “DRIVE” and Garth Brooks' “THE LOST SESSIONS”, Mark co-wrote the singles, "Bama Breeze" for Jimmy Buffet and "That's How They Do It In Dixie" for Hank WIlliams Jr. (featuring Gretchen Wilson, Big & Rich and Van Zandt).   Recently, Mark was a co-writer of the Tyler Farr number one hit single "Redneck Crazy", Thomas Rhett’s "Front Porch Junkies" and had 3 songs on the Tim McGraw CD "Two Lanes of Freedom"…including the number one hit song "Highway Don't Care", featuring Taylor Swift on guest vocals and Keith Urban on guitar.   Mark is also cowriter of Tim McGraw's recent single "Looking For That Girl" and Blake Shelton's number one hit single, "Neon Light". Mark’s latest single was Chris Janson's "Power of Positive Drinking"   A list of other artists who have recorded Mark’s songs are:                   Randy Travis, Martina McBride, George Jones, Faith Hill, Lee Brice, Thomas Rhett Julianne Hough, Bomshel, Billy Ray Cyrus, Jessie James, Tracey Lawrence, Sammy Kershaw, Chely Wright, Patty Loveless, Highway 101, The Whites, Chris LeDoux, Bucky Covington, Glen Campbell, Neal McCoy, The Dirt Drifters, Jaida Dreyer, Dakota Bradley and Austin Webb. Actress Gwyneth Paltrow also recorded one of Mark’s songs for her movie “Country Strong” costarring Tim McGraw.    Recently, Mark had a song on Blake Shelton’s newest CD “If I’m Honest” called "Bet You Still Think About Me", also a song on new artist Drake White’s CD called "Story." And at present Mark is working with a number of young, signed Country Music artists….

Ask Austin Jenckes about his unwavering need to write and perform music, and as he pauses to gather his thoughts, you can practically see a montage of the country singer-songwriter’s life playing before him: a childhood spent watching his father play guitar in the park; high school talent shows; dingy bar gigs; televised singing competitions; publishing deals; Nashville writing rooms; a forthcoming debut album. “But at the root, it’s always been me trying to move somebody enough emotionally to pay attention to what I’m singing about,” Jenckes says. “Music’s always been a way for me to observe and process the world around me.”   Melody. Message. That moment in a song when a listener sees his or her life reflected back at them like a mirror—Jenckes lives in service of the song, and it’s why he spends every day tirelessly perfecting his craft. The endlessly humble Jenckes will tell you, “I’m just a guy with a guitar singing songs.” But his work tells a far more nuanced tale. To hear Jenckes perform is to hear the roots of country music brought into the modern age: all soul and blues and that brand of lyrical honesty and palpable emotion that’s long defined the genre’s most celebrated artists.  From the serene send-off “In My Head” to the rearview reflection “Fat Kid,” Jenckes’ best songs are direct dispatches from the never easy but unquestionably rich life he’s lived.   “I’ve always been the type to pay attention to what other people are doing and learn from their lives and my own,” Jenckes offers of his songwriting inspiration, “Take in not only the successes but more importantly the mistakes.” “But I feel really fortunate right now,” adds Jenckes, whose long-awaited debut album is set for release in 2019. He smiles and adds, “This is what I’ve always wanted for my life.   If Jenckes appears ever appreciative it’s because, like so many supreme songwriters with wisdom gained from hardship, he’s lived a lot of life. Growing up in small-town Washington, Jenckes’ parents divorced when he was 13, and three years later his father took his own life. Much as he’d always done, Jenckes turned to music as his principal refuge. “I really felt I had everybody in that town supporting me,” he says of staking out a reputation early on as a supremely skilled singer with a powerful and passionate voice that combined his equal-parts love of Southern rock and folk music. “It was always really important to me that my music felt emotional and felt like it was telling a story,” he notes, and upon graduating from college the musician doubled down on his dream and moved to Nashville to pursue a career in music.   “I was struggling in a lot of ways because I just felt lost,” he recalls of that time period. “I still was this kid that wanted this big unattainable thing but I was putting a lot of my self worth in that. It felt like I wasn’t going to be happy or successful unless I could be a full-time musician.” There were detours, to be sure, from short-lived publishing deals to landing a sport on the hit TV show The Voice. And he admits, for a time, he figured he’d just be a songwriter for other artists. But Jenckes forever made it his mission to continuing evolving as both musician and songwriter. Looking back, he admits, “That whole time I was trying to figure out what kind of music I wanted to put out. I didn’t know if it was pop, rock, country or soul. So I was just writing a ton.”   But after getting married and then becoming a father, Jenckes says he realized, “I wasn’t going to be happy unless I was putting my whole heart into putting my own music out and performing.” Looking back now, he adds, “Any previous uncertainty about my future was me just being afraid to do anything at all. At the end of the day I just needed to commit. I remember telling my wife, “I’m going in all the way.” His ever-growing fanbase speaks to the wisdom behind that decision. Whether playing headline or opening shows, touring with a six-piece band or stage-center, just the man and his guitar, Jenckes is reminded daily of how many people have and continue to be inspired by his music. “I still don’t feel like I know how to do it completely on purpose,” he says with a laugh of his innate ability to pen authentic, sincere and supremely hooky songs. “But all I can do is focus on telling my story.”

Named by Rolling Stone Magazine as a "New Artist You Need To Know", Canadian born Makayla Lynn is a fresh face in Nashville making a name for herself on both sides of the border. Spending time at #1 on CMT's 12-Pack Countdown, two-time East Coast Music Award-winner in Canada and sharing her music through an unforgettable live show, Lynn's growth as a songwriter through her teens has allowed her artistry to find its place in the world of Country/Americana storytellers much like her influences. A prolific songwriter whose lyrical depth runs deep beyond her years, Lynn can be found writing with the impressive likes of Trisha Yearwood, Lori McKenna, Luke Laird, Brandy Clark, Jay Knowles, Gordie Sampson, Marcus Hummon, Leslie Satcher, Matraca Berg, Ashley Monroe, Ronnie Bowman, Carter Faith, Jillian Jaqueline and many more. She appeared as a writer on two tracks on Trisha Yearwood’s newest album “The Mirror”.  As both a songwriter and an artist, Lynn is trailblazing a fierce path for herself in Nashville. Gifted with the ability to storytell deeply and profoundly paired with vocals that never seem to miss a note, Lynn is an artist/writer who is here to stay.

As a Nashville-based, Appalachia raised country artist, Zoe Jean Fowler is known for her honest songwriting and genre-blending sound. With over 600,000 streams on her own music and over half a million streams from songwriting cuts, Zoe is carving out her place as a standout independent artist and songwriter. Zoe's 15 track deluxe album, Cry Baby (Deluxe), received 28 editorial playlist placements, was featured on Tidal’s Country Rising: Best of 2024, and premiered on WSM Radio at The Grand Ole Opry. Zoe has recently been featured on CMT and has opened for Kix Brooks, Randy Houser, Flatland Cavalry, and Sam Barber.