Architects - BALCONY SECTION

Thu Oct 6 2022

8:00 PM (Doors 6:30 PM)

Marquee Theatre

730 N Mill Ave Tempe, AZ 85281

.

Ages 21+

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The Marquee, along with several other Arizona independent venues, will require proof of COVID-19 vaccination or a negative COVID-19 test result to attend a concert or event starting on September 20, 2021.

All attendees must be vaccinated against COVID-19 and provide proof of vaccination [either the original card,  or Clear app digial validation of the vaccination card] OR have received a negative COVID-19 diagnostic test (done by a health provider) within 72-hours before entry to the facility and provide printed proof of a negative result prior to entering the venue.

We encourage everyone who can receive a vaccination to do so, for their own benefit and for the benefit of all of us.  We are taking the this necessary step for Arizona’s music fans to ensure that all concerts this fall can happen as scheduled. 

Thank you for your cooperation and understanding. 
_________________________

BALCONY SECTION IS 21+

LIMITED SEATING AVAILABLE IN BALCONY.  BALCONY IS FOR PATRONS 21 YEARS OF AGE AND OLDER WITH PROPER ID.  BALCONY SEAT TICKET MUST BE PURCHASED FOR SEATING.  

NO REFUNDS/ EXCHANGES UNLESS HEADLINER CANCELS.

ALL TICKET SALES ARE SUBJECT TO SERVICE FEES.

PARKING IN THE MARQUEE LOTS IS AN ADDITIONAL $10.00 PER SPACE USED. CASH ONLY AND PAID TO THE PARKING ATTENDANTS NIGHT OF THE EVENT
 

_________________________

This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.

Lucky Man Presents
Architects - BALCONY SECTION

  • Architects

    Architects

    Metalcore

    In November 2018, Architects stared grief in the face on the remarkable album Holy Hell: a stark picture of the darkness and despair that lay at the heart of losing a brother, band mate and best friend in Tom Searle, the group’sfounding guitarist who two years prior passed away following a private three-year battle with cancer.The album, which bravely laid bare the band’s emotions with a vulnerability that few would ever publiclyopen themselves up to, forged such a deep connection with fans new and old as to see the quintet –vocalist Sam Carter, drummer Dan Searle, bassist Ali Dean and guitarists Josh Middleton and Adam Christianson –headline arenas the world over,and move in excess of 200,000 equivalent album units. This was the band finding a voice for their, and their fans’,innermost pain, and in turn cementing their place as one ofrock music’s most critically reveredand commercially successfultalents.Two years removed from that journey, though with its lessons and spirit embeddedin the fabric of their being, Architects have applied that same soul-searching introspection to their highly-anticipated new opus, For Those That Wish To Exist. An examination of the part we are all playing in the world’s slow destruction, the band’s ninth studio recordtackles the biggest questions facing the future of our planetwith their grandest, most ambitious work to date.“This album was me looking at our inability to change to a way of life that would sustain the human race and save the planet,” summarisesprincipal songwriter Dan Searle. “The human race has become out of control; the world is dying and it is all our fault.It’s a manifestation of our collective behaviour that is running rampant,and at this moment desperately needs to be altered.”Such concerns have long been prevalent in the music of a band who have continuallychampioned and shared their platform with causes such as Sea Shepherd, are outspoken critics of barbaric exercises such as fox hunting, and who have fixed a focus onsustainability ineverything from their travelling tour schedulingto the recently launched Architects Merch Co..It is through such a position of personal accountability that the universal themes of For Those That With To Exist areuniquely approached. “In writing therecord, I felt a great accountability for our own actions, and the part we are playing as individuals,” Dan begins. “I wanted to look in the mirror and ask ourselves the question of what are <we> going to do, as opposed to trying to point the fingerat politicians. Change has to start on a personal level. The world has developed a culture of wanting someone else to deal with it, when we need to take our own responsibility. It has to start there.”Disdain for such communal apathy is writ large across For Those That Wish To Exist’s 15 tracks. ‘When the clock runs down to zero / We’ll all stand up and take a bow / So quick to
     
    play the hero’bemoans the song An Ordinary Extinction; ‘We can say how we all wanna be saved / But it’s easier to follow’spits Carter elsewhere on Little Wonder. Album opener Do You Dream Of Armageddon? confronts that reality with a simplequestion: ‘Will we ever learn our lesson?’It is one of many presented without answer throughout the record’s hour-long journey of self-examination. These songs hang in a limbo between energising positivity that it is not too late to correct our collective course, and a paralysing negativity of defeatism; where hope and despondency are bed-fellows triggered daily by the simple act of existence. Neither wins out; come the swelling grandeur of album-closerDying Is Absolutely Safe, listeners may feel anything from acrushing weight of hopelessness toan uplifting sense of newfound determination.When the world today so often leaves you feeling numb, Carter admits he is “so proud that we can stir such conflicting emotions.”Such areflection of the human condition, and the exhausting highs and lows that come it,is perhaps For Those That Wish To Exist’s purest, and most absorbing, achievement.“The album is its own beast,” Carter reflects. “It’s a piece of art that is there to allow people to take what they want from it. It’s a big question mark. There’s some big questions being asked in it, and I think the answer to each is different depending on your own circumstances. Sometimes you feel reasons to be positive. Sometimes you don’t. It reflects how we all feel in life, from day to day.”Written across the past 24 months –shaped by experiencesboth professional and personal, including Searle’s changing outlook as a new father –and recorded at a multitude of locations throughout 2020 (including at Devon’s MiddleFarm Studiosand at home in the band’s birthplace of Brighton), For Those That Wish To Exist sees Architects channelsuch bigger-picture thinking intotheir most expansive sonic offeringyet, which builds upon the band’s hallmark post-metalcore and layers a burgeoning influence of electronics and orchestral strings,horns and choirs. Guest spots from Parkway Drive’s Winston McCall, Royal Blood’s Mike Kerr and Biffy Clyro frontman Simon Neil punctuate proceedings, bringing their own changes of pace and “unique tones”, as Carter –whose own vocal performance, shaped by an “unhealthy” drive for perfection, moves into dynamic newterritory –puts it. The result is a rich tapestry that transcends the limitations of genreand rewards exploration and immersionin its journey.To what destination saidjourney leadsis uncharted. Creatively, it means that Architects remain not only countless steps ahead of their peers, but in an entirely different lane of their own making altogether. Thematically, both Carter and Searle return to the album’s title as evidence that evolution, of challenging establishedmodels and striving for a collective betterment,is something we all must rise to.“For me, the album title is speaking to the people who are ready to drag themselves through the shit, and help drag other people throughit too, in order to fight the good fight,” Carter says.“The title speaks to those people who want to live, who want to live in a better world, who want to make a difference,” asserts Searle. “For anyone who thinks that creating a world
     
    that we can live in, and that our children can live in and our children’s children can live in, for anyone who thinks that’s important, this is for you.”––––Sam Coare, October 2020

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 6 per person
Balcony GA SEAT (21+)
Balcony section is 21+. Must have valid ID.
Balcony GA Seat (21+)
$65.00
Balcony GA STAND (21+)
Standing room only. Balcony section is 21+. Must have valid ID.
Balcony GA Stand (21+)
$55.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

The maximum number of tickets per purchase for each event is the maximum number permitted per customer purchase. Your name, credit card, address, and email address will be verified. Lucky Man Concerts/The Marquee reserve the right to cancel any orders in excess of the stated ticket limit.

Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Lucky Man Concerts/The Marquee.

The Event Organizer is requiring fans agree to the terms below prior to ticket purchases & event entry. Please note these confirmations will apply to all members of your party before they are allowed to enter the event and to any users of the tickets purchased by you.

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination shot), OR will have received a negative COVID-19 test within 72-hours of the event. Children under 12 years of age or fans with a valid medical note preventing vaccination will be required to take a COVID-19 diagnostic test within 72-hours before the event, and will provide proof of negative result to security prior to entering the venue. Mask wearing will be encouraged. Entry requirements subject to change.
Lucky Man Presents

Architects - BALCONY SECTION

Thu Oct 6 2022 8:00 PM

(Doors 6:30 PM)

Marquee Theatre Tempe AZ
Architects - BALCONY SECTION

. Ages 21+

The Marquee, along with several other Arizona independent venues, will require proof of COVID-19 vaccination or a negative COVID-19 test result to attend a concert or event starting on September 20, 2021.

All attendees must be vaccinated against COVID-19 and provide proof of vaccination [either the original card,  or Clear app digial validation of the vaccination card] OR have received a negative COVID-19 diagnostic test (done by a health provider) within 72-hours before entry to the facility and provide printed proof of a negative result prior to entering the venue.

We encourage everyone who can receive a vaccination to do so, for their own benefit and for the benefit of all of us.  We are taking the this necessary step for Arizona’s music fans to ensure that all concerts this fall can happen as scheduled. 

Thank you for your cooperation and understanding. 
_________________________

BALCONY SECTION IS 21+

LIMITED SEATING AVAILABLE IN BALCONY.  BALCONY IS FOR PATRONS 21 YEARS OF AGE AND OLDER WITH PROPER ID.  BALCONY SEAT TICKET MUST BE PURCHASED FOR SEATING.  

NO REFUNDS/ EXCHANGES UNLESS HEADLINER CANCELS.

ALL TICKET SALES ARE SUBJECT TO SERVICE FEES.

PARKING IN THE MARQUEE LOTS IS AN ADDITIONAL $10.00 PER SPACE USED. CASH ONLY AND PAID TO THE PARKING ATTENDANTS NIGHT OF THE EVENT
 

_________________________

This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.

Architects

Architects

Metalcore

In November 2018, Architects stared grief in the face on the remarkable album Holy Hell: a stark picture of the darkness and despair that lay at the heart of losing a brother, band mate and best friend in Tom Searle, the group’sfounding guitarist who two years prior passed away following a private three-year battle with cancer.The album, which bravely laid bare the band’s emotions with a vulnerability that few would ever publiclyopen themselves up to, forged such a deep connection with fans new and old as to see the quintet –vocalist Sam Carter, drummer Dan Searle, bassist Ali Dean and guitarists Josh Middleton and Adam Christianson –headline arenas the world over,and move in excess of 200,000 equivalent album units. This was the band finding a voice for their, and their fans’,innermost pain, and in turn cementing their place as one ofrock music’s most critically reveredand commercially successfultalents.Two years removed from that journey, though with its lessons and spirit embeddedin the fabric of their being, Architects have applied that same soul-searching introspection to their highly-anticipated new opus, For Those That Wish To Exist. An examination of the part we are all playing in the world’s slow destruction, the band’s ninth studio recordtackles the biggest questions facing the future of our planetwith their grandest, most ambitious work to date.“This album was me looking at our inability to change to a way of life that would sustain the human race and save the planet,” summarisesprincipal songwriter Dan Searle. “The human race has become out of control; the world is dying and it is all our fault.It’s a manifestation of our collective behaviour that is running rampant,and at this moment desperately needs to be altered.”Such concerns have long been prevalent in the music of a band who have continuallychampioned and shared their platform with causes such as Sea Shepherd, are outspoken critics of barbaric exercises such as fox hunting, and who have fixed a focus onsustainability ineverything from their travelling tour schedulingto the recently launched Architects Merch Co..It is through such a position of personal accountability that the universal themes of For Those That With To Exist areuniquely approached. “In writing therecord, I felt a great accountability for our own actions, and the part we are playing as individuals,” Dan begins. “I wanted to look in the mirror and ask ourselves the question of what are <we> going to do, as opposed to trying to point the fingerat politicians. Change has to start on a personal level. The world has developed a culture of wanting someone else to deal with it, when we need to take our own responsibility. It has to start there.”Disdain for such communal apathy is writ large across For Those That Wish To Exist’s 15 tracks. ‘When the clock runs down to zero / We’ll all stand up and take a bow / So quick to
 
play the hero’bemoans the song An Ordinary Extinction; ‘We can say how we all wanna be saved / But it’s easier to follow’spits Carter elsewhere on Little Wonder. Album opener Do You Dream Of Armageddon? confronts that reality with a simplequestion: ‘Will we ever learn our lesson?’It is one of many presented without answer throughout the record’s hour-long journey of self-examination. These songs hang in a limbo between energising positivity that it is not too late to correct our collective course, and a paralysing negativity of defeatism; where hope and despondency are bed-fellows triggered daily by the simple act of existence. Neither wins out; come the swelling grandeur of album-closerDying Is Absolutely Safe, listeners may feel anything from acrushing weight of hopelessness toan uplifting sense of newfound determination.When the world today so often leaves you feeling numb, Carter admits he is “so proud that we can stir such conflicting emotions.”Such areflection of the human condition, and the exhausting highs and lows that come it,is perhaps For Those That Wish To Exist’s purest, and most absorbing, achievement.“The album is its own beast,” Carter reflects. “It’s a piece of art that is there to allow people to take what they want from it. It’s a big question mark. There’s some big questions being asked in it, and I think the answer to each is different depending on your own circumstances. Sometimes you feel reasons to be positive. Sometimes you don’t. It reflects how we all feel in life, from day to day.”Written across the past 24 months –shaped by experiencesboth professional and personal, including Searle’s changing outlook as a new father –and recorded at a multitude of locations throughout 2020 (including at Devon’s MiddleFarm Studiosand at home in the band’s birthplace of Brighton), For Those That Wish To Exist sees Architects channelsuch bigger-picture thinking intotheir most expansive sonic offeringyet, which builds upon the band’s hallmark post-metalcore and layers a burgeoning influence of electronics and orchestral strings,horns and choirs. Guest spots from Parkway Drive’s Winston McCall, Royal Blood’s Mike Kerr and Biffy Clyro frontman Simon Neil punctuate proceedings, bringing their own changes of pace and “unique tones”, as Carter –whose own vocal performance, shaped by an “unhealthy” drive for perfection, moves into dynamic newterritory –puts it. The result is a rich tapestry that transcends the limitations of genreand rewards exploration and immersionin its journey.To what destination saidjourney leadsis uncharted. Creatively, it means that Architects remain not only countless steps ahead of their peers, but in an entirely different lane of their own making altogether. Thematically, both Carter and Searle return to the album’s title as evidence that evolution, of challenging establishedmodels and striving for a collective betterment,is something we all must rise to.“For me, the album title is speaking to the people who are ready to drag themselves through the shit, and help drag other people throughit too, in order to fight the good fight,” Carter says.“The title speaks to those people who want to live, who want to live in a better world, who want to make a difference,” asserts Searle. “For anyone who thinks that creating a world
 
that we can live in, and that our children can live in and our children’s children can live in, for anyone who thinks that’s important, this is for you.”––––Sam Coare, October 2020

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

Ages 21+
limit 6 per person
Balcony GA SEAT (21+)
Balcony section is 21+. Must have valid ID.
Balcony GA Seat (21+)
$65.00
Balcony GA STAND (21+)
Standing room only. Balcony section is 21+. Must have valid ID.
Balcony GA Stand (21+)
$55.00

Delivery Method

ticketFast
Will Call

Terms & Conditions

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund. The maximum number of tickets per purchase for each event is the maximum number permitted per customer purchase. Your name, credit card, address, and email address will be verified. Lucky Man Concerts/The Marquee reserve the right to cancel any orders in excess of the stated ticket limit.

Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Lucky Man Concerts/The Marquee.

The Event Organizer is requiring fans agree to the terms below prior to ticket purchases & event entry. Please note these confirmations will apply to all members of your party before they are allowed to enter the event and to any users of the tickets purchased by you.

By purchasing tickets for this event, I confirm that at the time of the event I will have been fully vaccinated (14 days past final vaccination shot), OR will have received a negative COVID-19 test within 72-hours of the event. Children under 12 years of age or fans with a valid medical note preventing vaccination will be required to take a COVID-19 diagnostic test within 72-hours before the event, and will provide proof of negative result to security prior to entering the venue. Mask wearing will be encouraged. Entry requirements subject to change.