Toronto, Canada's Anvil were one of the first North American bands to push the sound and style of the New Wave of British Heavy Metal one step further. Indebted to the likes of , , and many others from across the Atlantic, Anvil nonetheless played louder, faster, and heavier than their heroes, in the process laying the groundwork for the thrash movement that took over heavy metal's underground in the '80s. Anvil's second and third albums, Metal on Metal and Forged in Fire, made significant waves in the metal community in 1982 and 1983, but despite the respect of musicians and metalheads alike, stardom was not to be theirs. Geographic isolation, label and management difficulties, and shifting musical trends all conspired against them, leaving them largely the province of cultists and collectors just a few short years later. Undaunted, Anvil soldiered on, continuing to record and tour whenever possible. In 2009, a documentary film by the band's former teenage roadie helped break them to the broader audience they never found in their prime. The tenacious metallers issued their 19th studio album, Impact Is Imminent, in 2022. Anvil were formed in Toronto in 1978 by childhood friends Steve "Lips" Kudlow (vocals/guitar) and Robb Reiner (drums). They had been playing music together since their teens. Initially known as Lips, the band added bassist Ian Dickson and rhythm guitarist Dave Allison, and in 1980 recorded an independent album titled Hard 'n' Heavy, which introduced their penchant for sexual explicitness. Zany antics notwithstanding, Anvil's musical contributions were very real; their fastest songs were some of the earliest speed metal laid to wax, while jazz-trained drummer Robb Reiner set new technical standards for the genre, including pioneering the double bass drum technique that's become a staple of much extreme metal since. Upon signing to the Canadian independent label , the band changed its name to Anvil, and reissued Hard 'n' Heavy with an updated cover in 1981. Their groundbreaking second album, Metal on Metal, adopted a much faster, heavier style, and took the metal underground by storm. Anvil snagged opening slots on tours with the likes of  and , among others, and played significant festival dates in Japan and England. The 1983 follow-up, Forged in Fire, refined Anvil's signature sound while adding more musical variety, and furthered their growing following. Anvil's success stopped right there, though. Seeking a better stateside deal, the band's manager asked  to release them from their contract, but a new label offer never materialized. While the band hung in limbo, heavy metal exploded -- a wave of hook-heavy pop-metal bands conquered the mainstream, while avowed Anvil fans like , , and  (the latter of which started out playing Anvil covers) catapulted the genre into new realms of heaviness, far beyond anything Anvil had ever recorded.  issued a collection of hits and outtakes called Backwaxed in 1985, but the official follow-up to Forged in Fire, Strength of Steel, wasn't released until four years later in 1987, when the band licensed it to . Creatively disappointing, Strength of Steel effectively killed what little momentum Anvil had left. They recovered somewhat on 1988's heavier Pound for Pound, which featured trademark sex songs like "Safe Sex" and "Toe Jam," as well as the hockey anthem "Blood on the Ice," but it was too late. Dave Allison left the band in 1989, and was replaced by Sebastian Marino, but not before the release of that year's Past & Present: Live in Concert. Marino's only album with Anvil was 1991's Worth the Weight, a darker, thrashier outing than anything they'd previously done. It, too, failed to catch on, and was followed by a lengthy recording drought. Ian Dickson called it quits in 1993, replaced by Mike Duncan; Marino left to join  in 1995 and was replaced by Ivan Hurd, while Duncan departed a year later in favor of new bassist Glenn Five. Thus reconstituted, Anvil signed with Canadian indie  and issued the comeback album Plugged in Permanent in 1996, which continued the heavy, serious direction of its predecessor. Released in 1997, Absolutely No Alternative returned to the band's tradition of sex songs with offerings like "Show Me Your Tits" and "Hair Pie." Speed of Sound appeared in 1999 and found Reiner experimenting with the blastbeat technique for which he'd helped lay the groundwork. However, the band went with a somewhat lighter, more classic metal style for its next several albums, 2001's Plenty of Power (which featured a tribute to "Pro Wrestling"), 2002's Still Going Strong, and 2004's Back to Basics. In 2005, Anvil were contacted by a former roadie, Sacha Gervasi, whom they'd met as a teenager while touring England. Gervasi had grown up to become a screenwriter, most notably penning the Steven Spielberg-directed The Terminal, and wanted to film a documentary about his old friends. The result, Anvil! The Story of Anvil, chronicled Anvil's efforts to tour Europe and to record their 13th album, aptly titled This Is Thirteen, which reunited them with their early-'80s producer Chris Tsangarides. Without a label, Anvil opted to maximize profits by selling the album through their own website. Following Hurd's exit from the band, the film became a hit on the festival circuit in 2008, and was released in the U.K. in February 2009. Within two months, it became the highest-grossing rock documentary in U.K. history, and was quickly snapped up by VH1 for American distribution. Anvil! The Story of Anvil was released in the U.S. to glowing reviews in April 2009, and the band supported it with live gigs at a series of screenings around the country. In 2010 a remastered, re-release of 1989's Past & Present arrived on , followed in 2011 by Juggernaut of Justice. After nearly 35 years of rockin', the band's 15th album, Hope in Hell, arrived in 2013. In 2016, Anvil unleashed a new slab, confidently titled Anvil Is Anvil. The album was recorded in Germany with producer , and featured new bassist Chris Robertson. The band returned just two years later with their second record to feature Robertson on bass. Pounding the Pavement was once again recorded in Germany, but this time with Jörg Uken (, ). For their 18th album, Anvil once again returned to Soundlodge Studios in Germany with Uken and  mixing and producing. The resulting album, Legal at Last, was issued at the beginning of 2020 by . Two years later, the band issued their 19th long-player, Impact Is Imminent. Worth the Weight-era guitarist Sebastian Marino died on January 1, 2023 at the age of 57. ~ Steve Huey & James Christopher Monger, Rovi

Heavy Metal Rock 'n Roll - MIDNITE HELLION does it best. Founder/drummer Drew Rizzo and long-time bassist/backing vocalist Rach Kubik create the power that amplifies every town. Their distinctive style – classic, no-frills heavy metal serving tremendously infectious spurts of thrash riffs with a straight, fun stage attitude – made them a top pick for world-class acts to ignite their respective crowds. Bringing their strong regional fan base to the table, MIDNITE HELLION shared the stages with OverKill, Dirkschneider, Grim Reaper, Flotsam & Jetsam, Obituary, Diamond Head, Raven, Exodus, Yngwie Malmsteen, and many more. Their electrifying debut album Condemned to Hell (2017) proved to be just the kind of wrecking ball that the band needed. Picked up and widely spread by multiple Marconi award holder WSOU 89.5 FM, the album successfully leveled a solid path into the wider US metal scene. In less than a year,  Condemned To Hell became a national phenomenon – and so did MIDNITE HELLION as a touring act, spawning intense mosh pits left, right, and center. The touring cycle in support of the album peaked in late 2018 when the band shared stages with OTEP and THE WORLD OVER in the Midwest and Mountain regions of the United States. Fueled by the sheer awesomeness of their fans and the energy received from this crowd, and driven by a bag of new songs and ideas that they brought back home, MIDNITE HELLION entered Pyramid Sound Studios in Ithaca, NY in August 2019. The recording of their second album Kingdom Immortal took them only six days with the help of iconic producer Alex Perialas, who in the past contributed to shaping the signature thrash sound of Anthrax/S.O.D, OverKill or Testament, while also adding a pound or two to Joe Bonamassa’s music. Mixing took place in March and Mastering in May 2021, before the vinyl mastering got cut at Infrasonic Sound by Daniel Bacigalupi (Barry Gibb, Dolly Parton, Stray Cats, Willie Nelson). Kingdom Immortal became successful with radio stations in the United States from the get-go, landing within the top 5 added albums on radio throughout the nation. As a result, MIDNITE HELLION toured the US with Anvil in summer 2022 for 39 dates, supporting the album, followed by a second US leg with Anvil for an additional 25 dates in spring 2023. MIDNITE HELLION completed a bombastic 2024, with the first world-wide release including Europe and hitting the road for an extensive US+Canada tour with German metal machine U.D.O.  The best is yet to come, as the blast from the past is far from over!

Melodic rock/metal