Sat Mar 3 2018

7:00 PM Doors - 2:00 AM

Varsity Theatre

3353 Highland Rd Baton Rouge, LA 70802

$22.00

Ages 18+

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The backbone of Binary’s sound is DiFranco’s long-time rhythm section of bassist Todd Sickafoose and drummer Terence Higgins, but on much of the album, the trio is augmented with some all-star guests. “I knew I wanted to involve some of my brilliant friends this time out,” she says. “We made some calls and got a party going. That was the idea, to reach out and have some other spirits enter.” When it came time to mix Ani turned things over to Tchad Blake (The Black Keys, Pearl Jam), the result a bold sonic imprint elevating the songs to a new level in her canon.

Virtuoso violinist Jenny Scheinman and keyboard wizard Ivan Neville both join in for more than half of the record; “they are so captivating and they elevate my shit whenever they come near it,” says DiFranco. Other contributors include the legendary Maceo Parker, Bon Iver’s Justin Vernon, and Gail Ann Dorsey, longtime bassist for David Bowie. New Orleans resident DiFranco takes special pride in the Crescent City funk spearheaded by natives Higgins and Neville on a number of the tunes. “Their souls are of this place,” she says. “The feel they bring is something they got in utero.”

For the better part of 2016, DiFranco beat the drum for voter turnout on her “Vote Dammit!” tour, focusing on registering and inspiring people to vote. In the days following the election, fans turned to her for guidance with renewed earnestness, anxious to hear music and wisdom from the longtime activist. Ani encouraged fans to take political action and did the same herself, participating in the Women’s March on Washington and performing at the official Women’s March after party benefitting Planned Parenthood with The National and Sleater-Kinney.

Binary, of course, is being released into a world in which music distribution and consumption have transformed rapidly and dramatically. For DiFranco, a true pioneer in the music industry with her Righteous Babe label, it’s a time to reconsider the possibilities and ambitions of her business.

“While I was precedent-setting at one time with Righteous Babe and my indie crusade, I feel like, in the time it took me to nurse another baby into being, I’ve fallen behind,” she says. “The universe and technology have continued to evolve, and the idea of harnessing technology and crowd- sourcing everything—money, knowledge, revolution—is a very powerful concept that I’m ready to get more involved with. Righteous Babe is starting to grow now into something that will hopefully become avant-garde once again- more of a collective, more dynamic.”

“I’m trying to figure it out daily,” says Ani DiFranco. “Just like always.”

Varsity Theatre Presents
Ani DiFranco
Gracie and Rachel

  • Ani DiFranco

    Ani DiFranco

    Alternative Folk

    As a singer, songwriter, activist and independent entrepreneur, Ani DiFranco has been setting her own pace—and encouraging countless admirers to do the same—for more than 20 years. But while she has been known as the “Little Folksinger,” her music has grown far beyond her acoustic solo roots in cozy venues to embrace jazz, soul, electronica and even more distant sounds. All of which are featured in DiFranco’s new Righteous Babe release, Allergic To Water, where she also blends abstract imagery and deceptively understated melodies with personal reflections on her life in New Orleans where she is now raising her two children with her partner, producer Mike Napolitano.

    “It’s such a humbling, and grueling, thing to raise children,” DiFranco said. “And that makes playing music more precious and makes me more grateful. It’s a real balancing act, but it also has a balancing effect.”

    DiFranco adds that becoming a mother has brought her closer to listeners who have followed her music since she began performing in New York City during the early 1990s. But widespread attention never prevented her from holding on to her integrity, and independence. A strong belief in human rights has run throughout her work, including when she played at numerous benefit concerts around the world. At a time when record labels still held an oversized influence, DiFranco stood ahead of the curve in launching her own Righteous Babe Records. The company has released more than 20 of her albums to date, ranging from the popular two-disc live album, Living In Clip (1997), to the expansive To The Teeth (1999), which included such guests as legendary R&B saxophonist Maceo Parker and Prince. Journalist Sylvie Simmons wrote in the British music magazine MOJO in 1998, “Even if her overt politicism and her 200-shows-per-year tours with an acoustic guitar place her in the Woody Guthrie tradition, her music—which has boldly plundered funk or punk, hip hop, rock—doesn’t.”

    Some stellar traditional New Orleans musicians and jazz players contributed to her 2012 disc, Which Side Are You On?, and the Crescent City also informs Allergic To Water, which is one of her most intimate and musically expansive recordings. This autumn, DiFranco will tour internationally behind Allergic To Water and the disc’s high-profile guests will accompany her stellar trio of bassist Todd Sickafoose and drummer Terence Higgins on several stops. Violinist Jenny Scheinman will open and sit in at some points. DiFranco has also marked other career milestones this past year. This summer she returned to the Winnipeg Folk Festival, where she received their prestigious Artistic Achievement award, coupled with her first ever honorary doctorate, which was given to her by the University of Winnipeg. She also marked the passing of one of her own mentors, Pete Seeger, through writing a moving essay about the man and his legacy in the Wall Street Journal.

    “I think that my one grain of wisdom in my life, which serves me well, is that when I meet a great teacher, I follow them,” DiFranco said. “I invent excuses to be near them. Whether it’s Pete, Utah Phillips, or Sekou Sundiata, it’s made my life pretty great along the way.”

  • Gracie and Rachel

    Gracie and Rachel

    Alternative Rock

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limit 10 per person
GA
General Admission - Standing Room Only
GA
$22.00

Delivery Method

UPS
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

All ticket sales are final. Refunds will only be given in the event that a show is canceled. It is not grounds for a refund if a performer begins his/her performance later than expected.

Varsity Theatre Presents

Ani DiFranco
Gracie and Rachel

Sat Mar 3 2018 7:00 PM Doors - 2:00 AM

Varsity Theatre Baton Rouge LA
Ani DiFranco , Gracie and Rachel

$22.00 Ages 18+

The backbone of Binary’s sound is DiFranco’s long-time rhythm section of bassist Todd Sickafoose and drummer Terence Higgins, but on much of the album, the trio is augmented with some all-star guests. “I knew I wanted to involve some of my brilliant friends this time out,” she says. “We made some calls and got a party going. That was the idea, to reach out and have some other spirits enter.” When it came time to mix Ani turned things over to Tchad Blake (The Black Keys, Pearl Jam), the result a bold sonic imprint elevating the songs to a new level in her canon.

Virtuoso violinist Jenny Scheinman and keyboard wizard Ivan Neville both join in for more than half of the record; “they are so captivating and they elevate my shit whenever they come near it,” says DiFranco. Other contributors include the legendary Maceo Parker, Bon Iver’s Justin Vernon, and Gail Ann Dorsey, longtime bassist for David Bowie. New Orleans resident DiFranco takes special pride in the Crescent City funk spearheaded by natives Higgins and Neville on a number of the tunes. “Their souls are of this place,” she says. “The feel they bring is something they got in utero.”

For the better part of 2016, DiFranco beat the drum for voter turnout on her “Vote Dammit!” tour, focusing on registering and inspiring people to vote. In the days following the election, fans turned to her for guidance with renewed earnestness, anxious to hear music and wisdom from the longtime activist. Ani encouraged fans to take political action and did the same herself, participating in the Women’s March on Washington and performing at the official Women’s March after party benefitting Planned Parenthood with The National and Sleater-Kinney.

Binary, of course, is being released into a world in which music distribution and consumption have transformed rapidly and dramatically. For DiFranco, a true pioneer in the music industry with her Righteous Babe label, it’s a time to reconsider the possibilities and ambitions of her business.

“While I was precedent-setting at one time with Righteous Babe and my indie crusade, I feel like, in the time it took me to nurse another baby into being, I’ve fallen behind,” she says. “The universe and technology have continued to evolve, and the idea of harnessing technology and crowd- sourcing everything—money, knowledge, revolution—is a very powerful concept that I’m ready to get more involved with. Righteous Babe is starting to grow now into something that will hopefully become avant-garde once again- more of a collective, more dynamic.”

“I’m trying to figure it out daily,” says Ani DiFranco. “Just like always.”

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Ticket(s)

Ages 18+
limit 10 per person
GA
General Admission - Standing Room Only
$22.00

Delivery Method

UPS
Will Call

Terms & Conditions

This event is 18 and over. Any Ticket holder unable to present valid identification indicating that they are at least 18 years of age will not be admitted to this event, and will not be eligible for a refund.

All ticket sales are final. Refunds will only be given in the event that a show is canceled. It is not grounds for a refund if a performer begins his/her performance later than expected.