Andy Frasco & The U.N. have long been the high-flying DIY renegades of the touring scene known and loved for their kaleidoscopic musical fusion and one-of-a-kind onstage audacity. Now celebrating their longevity, the band is shaking things up with L’Optimist (Fun Machine Records/Soundly), as its title suggests, Frasco’s most hopeful and enthusiastic collection thus far. A testament to Frasco’s wide-ranging influences and boundless energy, his band’s sixth released studio album sees the magnetic frontman continuing to chart his path of self-exploration and personal discovery through increasingly introspective lyricism and musical adventure. Songs like “Everything Bagel (Feat. Artikal Sound System)” and the deeply moving “Iowa Moon” touch on matters of the heart and mental health, emotional struggle and the sheer vulnerability of the human experience, all relayed through a wildly eclectic approach navigating funk, jazz, surf rock, blues, swing, gospel, reggae, exotica, and more with horn-blasted positivity and soulful power.  “I fight depression every single day,” Frasco says, “and the only way to fight depression is through optimism. I try to write optimistic songs because optimism keeps me going. As humans, I don't think we're all that much different. Everyone needs a little optimism to keep going.” Having spent the first part of his career making his bones as a fun-loving frontman with a self-proclaimed “gift of gab,” Frasco pushed his songwriting in more personal directions with 2020's Keep On Keepin’ On and 2022’s Wash, Rinse, Repeat. “I wanted to write songs that I actually feel,” he says, “not just songs that would be fun to play live. I wanted to learn about myself, I wanted to break myself a little bit to approach a different way of songwriting.” Frasco once again challenged himself to explore difficult lyrical terrain, spanning relationships and chronic depression, empathy and alienation, inspired in part by his first real girlfriend. For a brief, shining moment, Frasco was settled romantically, a new development that informed songs like the aforementioned “Iowa Moon,” in which the hard-traveling songwriter ponders the possibility of getting off the road to remain at home with his beloved.  “She was the first girl I ever really committed to,” Frasco says. “It’s like, I don't know what the fuck I'm doing, this is a new world to me, but I know that I love being with you and I love you teaching me how to love. I'm not really a good communicator outside of my art, so I wrote ‘Iowa Moon’ to say, I know that I'm difficult. I know that I'm on the road all the time. But I love you. “I’ve worked in the music industry ever since I was 14,” he adds, “booking bands and just following my dream. I left LA in a van, left all my friends, my family, and have been on the road for 16 years. I started thinking, will I just keep drinking in bars and having one-night stands and living the rocker life until I'm 80? It’s not a bad life, it just gets lonely out there. So, it's like, I need to have some roots somewhere. I need some weight, some stability. I can't do this forever.” With so much constant activity, Frasco delegated just 30 days to making L’Optimist, traveling to Nashville, Los Angeles, and other cities to work with friends and top songwriters until he had a cache of 10 songs of which he felt truly proud. In summer 2022, Frasco and the core U.N. roster – comprising guitarist Shawn Eckels, saxophonist Ernie Chang, drummer Andee Avila, and bassist/multi-instrumentalist Floyd Kellogg – set to work, taking a sweeping approach towards the recording with production and writing contributions from friends and studio collaborators including Kellogg, Kenny Carkeet (AWOLNATION, Anti-Flag), Chris Gelbuda (Robert Randolph Feat. Darius Rucker, Meghan Trainor), Cason Cooley (Needtobreathe, Ingrid Michaelson), Paul McDonald (Grand Magnolias, Vince Herman), and Harlem-based singer-songwriter Caleb Hawley, along with guest appearances by alternative hip-hop duo Little Stranger and the Southern Florida-based reggae collective Artikal Sound System.  “I like moving around,” Frasco says, “finding different inspiration. I can't just sit in the same room for a month and have an existential crisis with my guitar player about a guitar tone or something. I’ve got to keep it poppin’.” Restless though it may be, L’Optimist sees Frasco fully in command of his craft, more comfortable and confident than ever before, his notorious party-animal persona giving way to a wiser, but no less enthusiastic, artist and band leader. Songs such as “Oh What a Life (Feat. Little Stranger)” and the ebullient “You Do You” are direct and honest, avowing to drown out negativity by staying true to his core beliefs and not conforming to the wishes, needs, and demands of others. “‘You Do You’ is basically a call to arms to myself,” Frasco says. “Like, what is success? We built success through being outlaws and being ourselves. I did it my own way and it worked out for the best, I think. Could we have been way more successful if I just conformed? Maybe, but that’s boring. It sounds like cheating in a race and I'm not trying to cheat. I want to do it my way. Hopefully I’ll look back when I’m 80 and realize that, like Frank Sinatra, I did it my way.” Empowering and energizing from its very start, Frasco’s dopamine-raising approach that has made Andy Frasco & The U.N. a much beloved live outfit renowned for unbridled improvisation, audience interaction, surprising covers, special guests, and animated antics unlike any other. The band has long spent seemingly all their time on the road, performing more than 200 shows each year, as Atwood Magazine wrote, “spreading their bohemian philosophy of finding joy from existing in the moment.” Truly a creative force not to be reckoned with, Frasco also somehow finds time to host Andy Frasco’s World Saving Podcast and cater to his nearly 1M monthly dance party views on Twitch. “With so much bad news in the world, why not try to figure out a way to get out of the darkness,” Frasco says. “We’re not going to be able to change the world, but at least we can change the mind state we have moving forward. We can at least help the process along by being optimistic that the future will turn itself around. And if everyone changes their mind state about the future, then maybe we can change the world.”   L’Optimist sees Frasco continuing to develop as a songwriter, band leader, and human being, his restless spirit giving way to something more firmly grounded yet no less adventurous. Having built a still-expanding career on forward motion, Andy Frasco remains positive in his determination to keep on keeping on, pushing himself and his music to grow and improve with every passing day.   “My superhero, Kobe Bryant, used to say don't be bitter, be better,” says Andy Frasco. “So, I've always tried to be better every year. I'm not trying to stay still, I want to get better at everything in life. I'm not just plateauing. I'm going to keep fighting to be the best songwriter I can be. Because if you're not evolving, you're dying.”  

Born in the sweaty dive bars of East Nashville, Lonesome Joy is a keys-fueled rock & roll revival, blending the acclaimed songwriting of frontman Stevie Redstone — hailed by Rolling Stone for his blend of vintage cool and contemporary craft — with the electricity of an explosive, rafter-rattling live show. Redstone debuted the project with 2024’s Lonesome Joy, a self-titled album produced by GRAMMY winner Dave Cobb and stocked with radio singles like “Wire” and “Roll With The Thunder.” It was onstage, though, that Lonesome Joy found its true home. Anchored by the double-fisted fury of Redstone’s keyboard, Lonesome Joy’s shows have become go-to destinations for audiences looking to check their baggage at the door and escape into a world of groove and grit. Lonesome Joy’s newest release, At The Coliseum, captures the band in its element: onstage in a hometown venue, stretching its songs to new limits while channeling the funky fire of Little Feat, Leon Russell, and other mad dogs from the 1970s. It’s a classic sound for the modern world, stacked high with Wurlitzer, Rhodes, organ, and the melodies of a rock & roll ringleader who’s learned to bridge the gap between past and present.