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Opus One Presents
An evening with Soccer Mommy - Presented by Opus One & 91.3 WYEP
Sat, 2 April
Doors open
7:00 PM EDT
Mr Smalls Theatre
400 Lincoln Ave, Millvale, PA 15209
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
All Ages
All patrons and touring parties must present proof of vaccination (with the last dose administered no less than 14 days prior to date of arrival) or a negative COVID test taken within 72 hours (tests must be date & time stamped) and a government-issued photo ID upon entry. A clear and legible copy, or photo of your vaccination card, will be accepted.
Event Information
Age Limit
All Ages

Music
Soccer Mommy
Soccer Mommy
Music
Sophie Allison has always written candidly about her life, making Soccer Mommy one of indie rock’s most interesting and beloved artists of the last decade. Allison has used Soccer Mommy’s songs as a vehicle to sort through the thoughts and encounters that inevitably come with the reality of growing up. After all, Soccer Mommy began as a bedroom-to-Bandcamp exercise with teenage Allison posting her plaintive songs as demos. Over the years, though, she has often enhanced that sound, using the endless production possibilities, newly at her fingertips, to outstrip singer-songwriter stereotypes. The records would start with songwriting’s kernels of truth, and she would then imagine all the unexpected shapes they could take. Every Soccer Mommy record has felt like a surprise.
On Soccer Mommy’s fourth album, the tender but resolute Evergreen, Allison is again writing about her life. But that life’s different these days: Since making her previous album, 2022’s Sometimes, Forever, Allison experienced a profound and also very personal loss. New songs emerged from that change, unflinching and sometimes even funny reflections on what she was feeling. (Speaking of funny, this is a Soccer Mommy album, so there’s an ode to Allison’s purple-haired wife in the game Stardew Valley, too.) These songs were, once again, Allison’s way to sort through life, to ground herself. She wanted them to sound that way, too, to feel as true to the demos—raw and relatable, unvarnished and honest—as possible. The songwriting would again lead where the production would follow. Nothing overindulgent, everything real.