Sinclair is a genre-defying artist whose music merges cinematic pop with gritty intimacy and poetic truth. A pastor’s kid and one of nine siblings, she cut her teeth leading worship before losing her family after coming out at 20. Music became her sanctuary—and her rebellion. A classically trained multi-instrumentalist and self-taught producer, she’s toured with Kacey Musgraves and Daughtry, earned placements across MTV, Netflix, and BBC, and caught the ear of industry giants like Babyface and Rodney Jerkins. Her new album God Forbid is her most personal and fearless work to date—written and produced in solitude, then recorded live at The Chapel in rural Tennessee with legendary players like Jerry McPherson and Mark Hill. Led by the haunting single “Rebel in the Wreckage,” the record is a raw, soul-searching declaration from an artist who’s walked through fire and come out singing. No gimmicks. No façade. Just Sinclair—undeniably herself.

Born and raised in Nashville, Tennessee, Megan Linville, the granddaughter of a songwriter who had cuts by such country music icons as Charley Pride, Kitty Wells and Rock and Roll Hall of Famer, Roy Orbison, recorded her first album at the age of 19 with producer John Carter Cash, the Grammy winning son of the Man In Black. Megan has performed at some of the sports world’s largest events, including numerous major league baseball games, the Indy 500, The Allstate Brickyard 400 Sprint Cup Series, The Kentucky Derby and many more. Her self penned recording of “Wrapped Up In Love” is the closing credit's song for Hallmark Network’s perennial holiday favorite Snow Bride, as well as, Hearts of Christmas.  A sweet mixture of Laurel Canyon and smooth Tennessee Whiskey, Megan is solidifying her footing as an emerging artist to watch on the country music scene. She was featured as one of CMT’s Artist Discoveries and her music video for “This Old Town” reached number 3 on CMT’s 12 Pack Countdown. Also, Megan is now the new voice of Blue Bell Ice Cream, along side Nashville Hall of fame Songwriter, Aaron Barker. 

A little bit muddy water Mississippi, a little bit California beach bum, Danny grew up playing, singing and writing for his family gospel band while being consumed with 70’s FM radio. He achieved his first #1 gospel song as a writer at age 17 before moving to Nashville and spending the 90’s singing lead in country rock band, Western Flyer. After Western Flyer disbanded, Danny’s vocal talent lead to singing 100’s of songwriter demos as well as adding background vocals to numerous albums by the likes of Blake Shelton, Montgomery Gentry and Keith Anderson before focusing on his passion for writing songs. As a writer, Danny’s musical diversity has lead to cuts by artists ranging from Tim McGraw to Joe Cocker and he has celebrated numerous hit songs, including Craig Morgan’s “International Harvester” Tim McGraw’s “Truck Yeah” and 2009’s most played country song, “She’s Country” by Jason Aldean. In addition to Billboard Top 5 song “I Love This Life” with LoCash, Danny is enjoying success with Old Southern Moonshine Revival, Maddie & Tae, Gloriana and Dean Alexander.

Although musicians often love to say they were born to write, singer and songwriter Shane Stevens has more cause than most. He has written both country and pop hits that have been recorded by chart-topping and multi award winning artists such as Carrie Underwood, Lady A, Selena Gomez, Walker Hayes, Meghan Trainor, Ariana Grande, Jo Dee Messina, Little Big Town and Kelly Rowland, Sara Evans, Jordin Sparks, Fifth Harmony, Little Mix, Jesse McCartney and a recent single co-written for Lukas Graham. Shane released his own song ”I Can’t Quit” a duet with country music superstar Sara Evans on February 21, 2025. Stevens received his first Grammy nomination in 2021 for “Fancy Like” by Walker Hayes, which was a number one hit and RIAA certified 6X Platinum. He also received a BMI award and NSAI award for one of the ten “Songs I Wish I’d Written” for “Fancy Like” and an Academy of Country Music Award nomination for Song of the Year. His first number one song, “American Honey” was recorded by Lady A and also won him the NSAI award as well as the “Million-Aire” and “Most-Performed Country Songs of the Year” awards from BMI. And those are just a few. All of Shane Stevens’ songs speak about his journey in life, the music industry and his growth as a songwriter and performer. Raised in the Deep South, Shane moved from North Carolina to Nashville at 17 where he began pursuing his dream of being a singing and songwriting star. He spent the next 5 years in Nashville before heading to New York on the promise of a record deal. “Then 9/11 happened. Everything stopped and I got dropped. I was like, ‘They’ve figured me out! I'm not talented!’ And, because I wasn't going to go back to Nashville with my tail between my legs, I hustled and did what I had to. I waited tables, sang in clubs, ran karaoke shows, and, since I’d gotten my license to do hair when I was 19 years old, I went to work in New York City’s first ever blow out bar, Blow.” One day, he found himself with a new client at Blow, actress Mary Louise Parker, who was at the height of her fame with Weeds. The two had had a chance meeting in Magnolia Bakery years before. “Halfway through washing her hair, she pointed up at me and said, Banana Pudding! That’s how I know you! Aren’t you a singer songwriter? What are you doing washing my hair?” Soon they were friends, and one fateful night at a party for famed photographer Mark Seliger, Parker told Shane it was time to use his other talents. “She grabbed me by the shoulders and turned me around to face a crowd of other artists and celebrities in the room and said, ‘These are the people you want to f’ing be, so f’ing be it already!’” Soon after that, while he was coloring his friend and future manager, Beka Tishker’s hair, she told him she’d like to set him up with a meeting with her old boss, Bob Doyle. That meeting turned into a new publishing deal and marked the end of Shane’s professional hairdressing career. This new chapter earned him notable success with songs such as Sara Evans’ “Low” (co- written with Morgan Stapleton) that was included on the soundtrack to 2008’s Billy: The Early Years about evangelist Billy Graham. Stevens’ next hits were with Lady A’s “American Honey” and Kellie Pickler’s “Makin’ Me Fall in Love Again,” which led to Shane writing more songs for more American Idol contestants and winners including Carrie Underwood’s "Do You Think About Me" (from 2012’s chart-topping Blown Away) and “Was I The Only One” with Jordin Sparks. Shane started living part time in Los Angeles and expanding his horizons, which led to work in pop and R&B, where he began working with Victoria Monet and producer Tommy Brown whom he penned “Step on Up” for Ariana Grande and Fifth Harmony’s “Everlasting Love.” He also wrote songs for the 2017 My Little Pony movie as well as co-writing and selling a country musical movie to Paramount Pictures in 2019. Now, Shane is ready to step out of the writing room and onto the stage and be the singer of his own songs. “My life is a country song; I’ve written so many country songs for country stars. Now it’s my turn to take a shot at being one.” Packed with massive hooks and country charms, Stevens released a duet single with Sara Evans titled “I Can’t Quit” on February 21st with many more singles to come in 2025 that include songs based on his experience and life journey. “Bob Doyle told me,” Stevens remembers, “‘Don't write about things you've never experienced, write about the things you know. That stuck with me: always tell the truth. So that's what I do.”