JASON ROBERT BROWN is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of our time, including the generation-defining “The Last Five Years”, his debut song cycle “Songs for a New World”, and the seminal “Parade”, for which he won the 1999 Tony Award for Best Score.

Jason Robert Brown has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances.  The New York Times refers to Jason as “a leading member of a new generation of composers who embody high hopes for the American musical.” Jason’s score for “The Bridges of Madison County,” a musical adapted with Marsha Norman from the bestselling novel, received two Tony Awards (for Best Score and Orchestrations). “Honeymoon In Vegas,” based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse.  A film version of his epochal Off-Broadway musical “The Last Five Years” was released in 2015, starring Anna Kendrick and Jeremy Jordan and directed by Richard LaGravenese. His major musicals as composer and lyricist include: “13”, written with Robert Horn and Dan Elish, which opened on Broadway in 2008 and was subsequently directed by the composer for its West End premiere in 2012; “The Last Five Years”, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics (and was later directed by the composer in its record-breaking Off-Broadway run at Second Stage Theatre in 2013); “Parade,” written with Alfred Uhry and directed by Harold Prince, which won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and “Songs for a New World,” a theatrical song cycle directed by Daisy Prince, which has since been seen in hundreds of productions around the world since its 1995 Off-Broadway debut, including a celebrated revival at New York’s City Center in the summer of 2018.  “Parade” was also the subject of a major revival directed by Rob Ashford, first at London’s Donmar Warehouse and then at the Mark Taper Forum in Los Angeles. Jason conducted his orchestral adaptation of E.B. White’s novel “The Trumpet of the Swan” with the National Symphony Orchestra, and recorded the score for PS Classics.  Future projects include a new chamber musical created with Daisy Prince and Jonathan Marc Sherman called “The Connector”; an adaptation of Lilian Lee’s “Farewell My Concubine”, created with Kenneth Lin and Moisés Kaufman; and a collaboration with Billy Crystal, Amanda Green, Lowell Ganz and Babaloo Mandel on a musical of “Mr. Saturday Night”.  Jason is the winner of the 2018 Louis Auchincloss Prize, the 2002 Kleban Award for Outstanding Lyrics and the 1996 Gilman & Gonzalez-Falla Foundation Award for Musical Theatre.  Jason’s songs, including the cabaret standard “Stars and the Moon,” have been performed and recorded by Ariana Grande, Jennifer Nettles, Audra McDonald, Kristin Chenoweth, Billy Porter, Betty Buckley, Renée Fleming, Jon Hendricks and many others, and his song “Someone To Fall Back On” was featured in the Walden Media film, “Bandslam.”

As a soloist or with his band, Jason has performed concerts around the world.  For six years, his monthly sold-out performances at New York’s SubCulture featured many of the music and theater world’s most extraordinary performers. His newest collection, “Coming From Inside the House,” featuring Ariana Grande and Shoshana Bean, commemorates the final SubCulture concert, recorded remotely during the pandemic. His previous albums, “How We React and How We Recover” and “Wearing Someone Else’s Clothes” are available from Ghostlight/Sh-K-Boom Records. Jason’s 2012 concert with Anika Noni Rose was broadcast on PBS, and he was the featured soloist for a live episode of “Friday Night Is Music Night,” broadcast live from the London Palladium and featuring the BBC Concert Orchestra.  His collaboration with singer Lauren Kennedy, “Songs of Jason Robert Brown”, is available on PS Classics. Jason is also the composer of the incidental music for the Broadway revival of “You Can’t Take It With You,” David Lindsay-Abaire’s “Kimberly Akimbo” and “Fuddy Meers,” and Kenneth Lonergan’s “The Waverly Gallery,” and he was a Tony Award nominee for his contributions to the score of “Urban Cowboy the Musical.”  He has also contributed music to the hit Nickelodeon television series, “The Wonder Pets” as well as “Sesame Street.”  Jason spent ten years teaching at the USC School of Dramatic Arts, and has also taught at Harvard University, Princeton University and Emerson College.

For the musical “Prince of Broadway,” a celebration of the career of his mentor Harold Prince, Jason was the musical supervisor and arranger.  Other New York credits as conductor and arranger include “Urban Cowboy the Musical” on Broadway; “Dinah Was,” off-Broadway and on national tour; “When Pigs Fly” off-Broadway; William Finn’s “A New Brain” at Lincoln Center Theater; the 1992 tribute to Stephen Sondheim at Carnegie Hall (recorded by RCA Victor); Yoko Ono’s “New York Rock,” at the WPA Theatre; and Michael John LaChiusa’s “The Petrified Prince” at the Public Theatre. Jason orchestrated Andrew Lippa’s “john and jen,” Off-Broadway at Lamb’s Theatre.  Additionally, Jason served as the orchestrator and arranger of Charles Strouse and Lee Adams’s score for a proposed musical of “Star Wars.”  Jason has conducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, and Michael Feinstein, among many others.

Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Samuel Adler, Christopher Rouse, and Joseph Schwantner.  He lives with his wife, composer Georgia Stitt, and their daughters in New York City.  Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802.  Visit him on the web at www.jasonrobertbrown.com.

The American dream came true for Catalina Popescu in October of 1986 when she and her husband Bob created a supper club devoted to serving an experience of superb eats and the shared magic of live performance. That grand experience began at the door where every night her mother Maria would greet each guest as family and share in their love of music. Housed in Hollywood and decked out in a timeless charm, the club offers a cozy ambience under sparkling stage lights garnished with its signature concoction — Jazz. The first artist to grace the stage was the masterful flutist and saxophonist Buddy Collette, and ever since then, over the past 36 years, the Catalina Jazz Club has hosted the most illustrious legends of all time — from the powerful puffers of Dizzy Gillespie to the electrified fingers of McCoy Tyner, the bubbly belt of Dee Dee Bridgewater and Lynda Carter, the flirtatious saxophone of Joshua Redman, the slick strumming of Kenny Burrell, the insane drum clinic of Steve Gadd, the romance of Steve Tyrell, and the masterclass of Mike Stern.

For Catalina, Jazz is our way of life. It breathes pain. It knows love. It dreams hope. It bleeds courage. Whether we’re showcasing Broadway, Soul, R&B, or stand-up comedy, the lesson learned from all the greats who have serenaded our spirits is how to connect to one another. And that’s why the Catalina Jazz Club will always have a table ready for you.

The Catalina Jazz Club has been honored by A.S.M.A.C., California Jazz Foundation, Los Angeles Jazz Society, and a City of Los Angeles Certificate of Appreciation on their 25th Anniversary, which was awarded by Mayor Antonio Villaraigosa and the LA City Council which included then City Council member and current Los Angeles Mayor Eric Garcetti.