Allman Betts Band

Sat Mar 7 2020

8:00 PM (Doors 6:00 PM)

The Coach House

33157 Camino Capistrano, Suite C San Juan Capistrano, CA 92675

$45.00

All Ages

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After a successful year touring as The Devon Allman Project with special guest Duane Betts, the sons of Gregg Allman and Dickey Betts are joining forces to form The Allman Betts Band.
They will kick off 2019 with a new Allman Betts Band album and a Worldwide tour that will feature new music, songs from their solo projects and classic Allman Brothers and Gregg Allman tunes in honor of the 50th Anniversary of The Allman Brothers Band. The new album, slated for release in the Spring of 2019, will be recorded at the legendary Muscle Shoals Sound Studios and will be produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley). Former Allman Brothers Band keyboardist and current Rolling Stones keyboardist, Chuck Leveall, will guest on the record.
The new ABB includes Devon Allman, Duane Betts, Berry Oakley Jr. (son of original Allman Brothers Band bassist Berry Oakley), Johnny Stachela (slide guitar) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum.
The Allman Betts Band will launch a World Tour in March and perform throughout 2019 at festivals, theaters and historic venues.

Allman Betts Band

  • Allman Betts Band

    Allman Betts Band

    Music

    After a successful year touring as The Devon Allman Project with special guest Duane Betts, the sons of Gregg Allman and Dickey Betts are joining forces to form The Allman Betts Band.
    They will kick off 2019 with a new Allman Betts Band album and a Worldwide tour that will feature new music, songs from their solo projects and classic Allman Brothers and Gregg Allman tunes in honor of the 50th Anniversary of The Allman Brothers Band. The new album, slated for release in the Spring of 2019, will be recorded at the legendary Muscle Shoals Sound Studios and will be produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley). Former Allman Brothers Band keyboardist and current Rolling Stones keyboardist, Chuck Leveall, will guest on the record.
    The new ABB includes Devon Allman, Duane Betts, Berry Oakley Jr. (son of original Allman Brothers Band bassist Berry Oakley), Johnny Stachela (slide guitar) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum.
    The Allman Betts Band will launch a World Tour in March and perform throughout 2019 at festivals, theaters and historic venues.
  • Marc Ford

    Marc Ford

    Rock & Roll

    MARC FORD is one of the most gifted, celebrated and in-demand rock guitarists of his generation has switched gears to deliver what will undoubtedly stand as one of the finest Americana albums of 2014.

    ‘Holy Ghost’ has plenty of space for Ford to demonstrate that his guitar sorcery is as powerful as ever. But it’s textured in a different setting that will also delight a legion of admirers who never knew he could embrace the wide open spaces of American roots music so brilliantly.

    “Reinvention” is an overused word in the creative arts, but ‘Holy Ghost’ overflows with subtle and surprising pleasures, liberal use of pedal steel, Fender Rhodes, mellotron and banjo, and the best songwriting of Ford’s career. It shows off an artist refreshed and refuelled, taking life at a slower pace at home in California these days – and it’s the next chapter in a unique Anglo-American collaboration.

    If you know Ford’s back story in full, you know it’s about a multi-faceted reputation forged on the frontline as the fabled lead guitarist with the Black Crowes; at the helm of his own bands such as the Neptune Blues Club and the Sinners; as a vital component of key records and/or tours by acts from Govt. Mule to Izzy Stradlin, from Booker T to Ben Harper; and as the producer of choice for artists such as the great roots-rocker Ryan Bingham and English country-soul talents Phantom Limb.

    Therein lies the transatlantic connection. Ford produced the Bristol-based Phantom Limb’s second album ‘The Pines,’ released in 2012, and when it was time to give life to the songs he’d collected for ‘Holy Ghost,’ the inspirational thought occurred to him to offer the return job to the band’s Stew Jackson, aka Robot Club, in sessions at Rockfield in Wales and the Shed in Bath. Jackson plays on the album along with his fellow Limbs, so to speak, while Marc’s son Elijah adds guitars, and his wife Kirsten contributes vocals. Elijah, himself a fine new talent, has also been working with Jackson on his own album project.

    “I waited for a while until the timing was right for this,” says Ford. “I knew I wasn’t supposed to act on these songs for a while, so I kind of sat on them as a batch together. Most of them are brand new, but a couple are 15 years old. I just needed to drop out for a little bit and get home back together. I had a daughter, so this is the first time I got to be at home for the first five years.”

    Suddenly, Ford knew what he had to do. “I was sitting here one day and, like I said, I’d been waiting on these songs for a while. Then it just dawned on me, wait a minute, Phantom Limb is the perfect band for this. I’ve used a couple of bands here, and although I could have made the record with them, it didn’t seem right, there wasn’t the perfect fit. I would have had to tailor some people or some songs, and it didn’t seem to make sense.

    “So I just said ‘Stew, you allowed me to pull your baby apart and put it back together. I’ve never had a producer produce my own stuff. How about payback? You can do me now. I think I have some of the best songs I’ve ever written, and you’ve got a bitchin’ band.’ He just said ‘Get here.’”
    The results are inspiring, often upbeat, always reflective. As Ford himself says, “it’s hopeful, in a dark way sometimes.” But it’s the work of an artist who’s found the inner strength to recharge, personally and professionally. “It’s a reflection of my life,” he says. “I pulled out of gigging and travelling and literally kind of stopped.

    “It was like, ‘I’ve got to regroup here, be at home and keep relationships good.’ Otherwise, if you keep running and running, even though it’s work, something has to suffer. So the holy grail now is to find how you keep a family and a musical career together. We moved to San Clemente, which is a little surf town, and the pace here is slower. It really is a small town feeling, a lot of acoustic guitar playing. I think all that reflects in the record.”

    In the process of rethinking himself, Ford has learned all kinds of new music, but his earliest memories in the household of his west coast upbringing were of Beatles, Creedence and Simon & Garfunkel albums, and Miracles and Chuck Berry singles. Later inspiration came from Led Zeppelin and Elton John. “As I got older, I found the first two Jeff Beck records, ‘Truth’ and ‘Beck-Ola,’ and wore those out. Then a friend of mine took me to his house, his stepfather had this 400,000 watt stereo and he sat me down and put on Band of Gypsys. It scared me to death, it changed everything for me. I was like, ‘I didn’t know you could do this.’”

    After playing in a high school band, he left to form his own outfit, in a rock education that would lead ultimately to Burning Tree, the acclaimed LA trio whose powerful local reputation led to a deal with Epic and a 1990 album. Noticed by a bunch of Atlanta scenemakers of the day called the Black Crowes, Ford would join them in 1993 for ‘The Southern Harmony and Musical Companion,’ which hit No. 1 and sold two million copies in the US alone as they climbed to the top of the world. His guitars were also front and centre of 1994′s ‘Amorica’ and ‘Three Snakes and One Charm.’

    His time with the Black Crowes, including a second stint in the mid-2000s, are so well documented as to need little repetition here. Except for Ford to say that he can look back on his musical passage with them, and on all of his other stops along the way, with real satisfaction. “I’m proud of all the music that’s been made,” he says. “I think that stands, and the Crowes was a fantastic band. Ben Harper’s music was great, ‘There Will Be A Light’ [on which he plays, as he does the later ‘Both Sides Of The Gun'] is a fantastic record. Ryan Bingham, I heard at a club at one in the morning and it was like ‘Please let me record you.’” He did so, for Bingham’s lauded Lost Highway albums ‘Mescalito’ and ‘Roadhouse Sun.’

    “There are a lot of factors involved when you’re in your early 20s and everything you’ve ever dreamed of happens. I got swept up in it, like many people do. There was just a point where I went ‘Wait a minute, you’ve reached the top of the mountain and the answers aren’t here, this isn’t really any kind of enlightenment I was looking for.’ Drugs and alcohol were a giant cover-up for a lack of self, and worth. So the only regrets I would have would be personal, wishing that I could have handled certain things better. But then again, I had to learn it.”

    ‘Holy Ghost’ is absolutely ingrained with all the things Marc Ford has learned. “Maybe people still want me to be a guitar hero and that’s it,” he says firmly. “I’m determined to change that mindset.”

  • Jackson Stokes

    Jackson Stokes

    Music

    For guitarist and singer-songwriter Jackson Stokes, great musicians make great neighbors. Even as a youth weaned on classic rock- his first concert was Lynyrd Skynyrd- Stokes was unaware that living across the street from his St. Louis home was guitarist and singer-songwriter Devon Allman. Allman’s family tree is impressive as the son of Gregg Allman and nephew of Duane Allman of Allman Brothers Band fame. Yet, Stokes knew little of the legendary group. Encouraged by his father, and holding his guitar, the 11-year-old Stokes knocked on Allman’s door. {Read Less}

    Allman, two decades his elder, heard something special in the young Stokes and encouraged him to continue learning and growing as a musician. Stokes dutifully attended Allman’s Honeytribe rehearsals, sitting quietly in the corner while the group worked up its repertoire. At 14, Stokes had developed into a prodigious firebrand with a passion for the blues, teaming with another area wunderkind, Marquise Knox, and performing his first professional gigs.

    By 18, his experience playing in high school garage bands, and with an All-State school jazz band, expanded his rock-and-roll palette. He attended Drury University in Springfield, earning a degree in music therapy, while maintaining a friendship with Allman, who encouraged Stokes to further sharpen his songwriting skill. In Memphis in 2012, Allman produced a five-song EP, Witness, from the Stokes-led band, Delta Sol Revival.

    DSR toured regionally until 2016 when Stokes and Allman began discussing recording his solo debut. The pair returned to Memphis for the initial sessions, as Allman invited Stokes to join the Devon Allman Band for 2017, and subsequently the Devon Allman Project for a world tour in 2018. On days-off from the road, Stokes continued work on his album, organically building the full-length.

    In May of 2019, Stokes put the finishing touches on a striking inaugural effort. Produced by Allman, it is a lean and focused set of rock-and-soul, including an ambitious Talking Heads cover, and a depth of original material ranging in style and subjects. From the Memphis stroll of the opening “Can’t Getcha Out,” through the reflective acoustic closer, “Take Me Home,” the debut encompasses Stokes’ wide swath of influences and tastes. There’s the ‘60s R&B update that morphs into modern rock on “Slave,” the staggering punches of overdriven guitar on “Time is Now,” and the midnight seduction of “Contents Under Pressure.” A flourish of pleading guitars finishes the slowly climbing blues-rock centerpiece, “You and Your Partner,” while David Byrne meets Southern funky on “Life in Wartime.” As well, Stokes welcomes the sunny-days slide guitar of The Allman Betts Band’s Johnny Stachela to brighten the Southern sway of “Sins Are Forgiven,” complementing that with the chunky Saturday night blues of “Whiskey.”

    Naturally, the nine-song record offers plenty of the fiery guitar that has been the calling card of Stokes’ career for this first decade, showcasing the stellar reputation he’s earned sharing the stage with such icons as Robert Cray, The Wailers, and Robert Randolph, as well as Warren Haynes, Lukas Nelson, and Marcus King. Yet, it’s a conspicuous emphasis on Stokes’ escalating songcraft that also shines as brightly on this initial release.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

limit 10 per person
General Admission

$45.00

Delivery Method

ticketFast
Mail
UPS
Will Call

Terms & Conditions

There is a Two Drink Minimum per person unless you have made a Dinner Reservation.

Dinner reservations get you reserved priority seating for the entire evening that is in front of general admission seating and closer to the stage. There is no additional cost to make a dinner reservation but you are required to purchase a minimum of $15 in dinner the night of the show EXCLUDING DRINKS with your food server. Dinner reservations require you arrive no later than 1 hour after the doors open. To make a dinner reservation please call 949-496-8930.

ALL SALES ARE: FINAL, NON REFUNDABLE, NON EXCHANGEABLE

Allman Betts Band

Sat Mar 7 2020 8:00 PM

(Doors 6:00 PM)

The Coach House San Juan Capistrano CA
Allman Betts Band

$45.00 All Ages

After a successful year touring as The Devon Allman Project with special guest Duane Betts, the sons of Gregg Allman and Dickey Betts are joining forces to form The Allman Betts Band.
They will kick off 2019 with a new Allman Betts Band album and a Worldwide tour that will feature new music, songs from their solo projects and classic Allman Brothers and Gregg Allman tunes in honor of the 50th Anniversary of The Allman Brothers Band. The new album, slated for release in the Spring of 2019, will be recorded at the legendary Muscle Shoals Sound Studios and will be produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley). Former Allman Brothers Band keyboardist and current Rolling Stones keyboardist, Chuck Leveall, will guest on the record.
The new ABB includes Devon Allman, Duane Betts, Berry Oakley Jr. (son of original Allman Brothers Band bassist Berry Oakley), Johnny Stachela (slide guitar) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum.
The Allman Betts Band will launch a World Tour in March and perform throughout 2019 at festivals, theaters and historic venues.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 10 per person
General Admission
$45.00

Delivery Method

ticketFast
Mail
UPS
Will Call

Terms & Conditions

There is a Two Drink Minimum per person unless you have made a Dinner Reservation.

Dinner reservations get you reserved priority seating for the entire evening that is in front of general admission seating and closer to the stage. There is no additional cost to make a dinner reservation but you are required to purchase a minimum of $15 in dinner the night of the show EXCLUDING DRINKS with your food server. Dinner reservations require you arrive no later than 1 hour after the doors open. To make a dinner reservation please call 949-496-8930.

ALL SALES ARE: FINAL, NON REFUNDABLE, NON EXCHANGEABLE