“PROVE YOU’RE NOT A ROBOT” (2025/MoonJune Records) is the sixth LP by Brooklyn based Alex Skolnick Trio (AST). The album’s title has multiple meanings. On the one hand, it reflects the effort to hold onto our collective humanity in an era of increasing reliance on technology. Secondly, it represents the notion that the process of direct human interaction – particularly music that captures inspired improvisations and compositions, such as those heard on this LP – cannot be replaced with AI (which, as of this writing, is the latest and most disruptive development in tech). Additionally, the title refers to our time of unprecedented political polarization coupled by mass addiction to social media and people who exhibit robot-like behavior. Finally, it is a phrase that should be all too familiar to anyone who’s ever forgotten their online password, a situation humorously captured in the video for the title track (directed by Frankie Fulleda and featuring a cameo by the album’s photographer, Lamb of God vocalist D. Randall Blythe). A variety of guitars were used on the recording, including a top-quality archtop borrowed (and later purchased) from famed builder Roger Sadowsky, a Gibson 335 style semi-hollowbody and Alex’s oldest guitar, a 1935 L-00 acoustic “parlor” style guitar (think Robert Johnson), the latter of which is featured on the uplifting “Guiding Ethos” and the closing ballad “Asking For A Friend.” While upright bass has been prime component for AST, here Nathan Peck’s bass is more than often electric (also a Sadowsky). Odd-time signatures are quite prevalent, in particular the title track, helping capture the flavor of the unusual time we’re all living in. Although original songs make up the majority of PYNAR, there are two quirky arrangements in the classic AST mold, including “Breakdown” (Tom Petty) and a mind-bending mashup no one saw coming, “Armando’s Mood,” which pays tribute the late piano master Chick Corea and Yes guitarist Steve Howe. “I feel this album represents my strongest work as a composer, with several pieces written at the piano” the bandleader offers. “The soloing also went to new places for all of us. Nathan and Matt really brought their A-game throughout. I think it’s safe to say this is the record we’re all most proud of.” Beginning in the early 2000’s, AST has become known for catapulting the jazz guitar trio format into new and interesting territory. With an unconventionally wide fluidity of diverse styles (tango, calypso, Western swing, electronica, Prince-inspired funk, to name just a few), the trio gained notoriety for it’s quirky but respectful arrangements of songs previously unmined by improvisers, including by the likes of Aerosmith, Scorpions, Ozzy Osbourne and Kiss. Comfortable in blurring the stylings of Wes Montgomery with Black Sabbath, Mssrs. Alex Skolnick (guitar and vocals), Matt Zebroski (drums), Nathan Peck (acoustic standup bass) are stellar virtuoso artists who thrive on playing challenging music in front of their fans. As a headliner, AST has enthralled audiences in at the Larvik Guitar Festival in Norway, the World Guitar Festival in Quebec as well as in Italy, The Netherlands, Germany, Poland, Slovakia, Czech Republic, and Austria. The audiences are made up of jazz aficionados and metal heads wanting to see what the lead guitarist from the thrash metal band Testament is up to. Their music has been heard in promotions for National Public Radio and more. Among their fans are Rodrigo Y Gabriela, who have brought the trio out as a support act at venues including Paris’s The Olympia, London’s Shepard Bush Empire and New York’s Radio City Music Hall. Conceived as a sharp three piece ensemble uniquely inspired by the musical wanderings of Alex Skolnick, world-renowned lead guitarist and founding member of Testament, one of the most influential metal/thrash bands of all time. Yet those unaware of Testament are shocked by his backstory when hearing AST – or Alex’s work with PAKT featuring Percy Jones (Brand X/Brian Eno), Stuart Hamm (Steve Vai/Joe Satriani) – as his guitar work defies the odds of most with guitarists with similarly metallic associations. He also has the profound distinction of being one of the more successful breakout individual students of uber-guitar-hero Joe Satriani. Along with Charlie Hunter, Steve Vai, Kirk Hammett (Metallica) and Larry Lalonde (Primus). Since the debut, AST had had an entire Jazz notes column in Billboard, garnered 4 ½ stars by Downbeat, reviewed by Jazziz, The Village Voice and has charted on the JazzWeek radio charts. Apple Music frequently features the group in its Spectrum playlist, with notable other jazz crossover artists such as Snarky Puppy, Mike Stern and Marcus Miller. Most recently the Trio enjoyed its status amongst the greats as an NPR Jazz Daily Pick feature. A perfect description comes in the form of a review by Downbeat journalist Bill Milkowski (well known for his bio on Jaco Pastorious Jaco): “Skolnick runs the guitaristic gamut from lush chord melodies to Wes Montgomery-style octaves to screaming Sonny Sharrock-esque skronking” (Jan 2017). Line-Up: Alex Skolnick (Testament, Stu Hamm, PAKT, Trans-Siberian Orchestra, Jane Getter Premonition): GUITAR Matt Zebroski: DRUMS Nathan Peck (Maynard Ferguson, Maria Maldaur, Richard Cheese): BASS

Jason Blake is a Warr Guitarist from Chicago, Illinois. The Warr Guitar is a twelve-string instrument incorporating the range of a guitar and bass. It is played by tapping the strings, a technique known as touchstyle guitar. Blake plays with the progressive metal trio, Aziola Cry (Sensory Records), Backward Sky Falling, and releases music under his own name (Wayfarer Records).