Sat Feb 22 2020
9:00 PM (Doors 8:00 PM)
$15.00
Ages 21+
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Hailing from the Boston area, Paul Wright and Tim Harrington met each other in their hometown of Sturbridge through Tim’s older brother. The friendship blossomed in high school when they both took up the guitar and began working on music together. It didn’t take long for them to see the potential hidden in these casual jam sessions. As Paul recalls, “Tim transformed from kid brother to musical collaborator over the course of a summer.”
Tall Heights is now set to release two highly-anticipated singles, ‘Keeps Me Light’ and ‘Under Your Skin’, both mixed by Grammy-nominated engineer Damien Lewis. Following on the success of their viral single ‘Spirit Cold’, this new material captures a similar authentic and meaningful energy, but also shows a side we have not yet seen of the pair. The self-produced project, recorded in their simple home studio, captures that raw moment between albums, delivering some of their most honest and heartfelt work to date. Written and recorded in a reflective lull between hectic periods of touring, the new tracks reaffirm Tall Heights’ commitment to a singular sound and an equally rare friendship.
Combining Paul’s lifetime of classical training, Harrington’s spontaneous artistic instincts, and the prismatic union of their unique voices, Tall Heights’ sonic imprint is in a category all its own.
Tall Heights’ recordings have amassed over 275 million streams. They regularly serve as Ben Folds’ backing band, and have toured alongside CAKE, Judah & the Lion, Colony House, and The Paper Kites. They’ve also performed on both Conan in 2016 and CBS Saturday Morning in 2018. ‘Under Your Skin’ and ‘Keeps Me Light’ are due for release fall 2019.
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91.3 KBCS Presents: Tall Heights w/ guests
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Recorded at Color Study studio in Goshen, Vermont, Holding On, Holding Out was partially inspired by the music that poured out of Tall Heights’ car speakers during the long drives from show to show. The guys found themselves listening to a wide array of sounds as they hurtled across the country, but they zeroed in on Icelandic music, taking influence from the sonic sweep of Sigur R&ocute;s and the electronic percussion of Ásgeir. The music of Iceland’s underground was deep, dark and cinematic, able not only to deliver a melody, but to cast a mood, too. Harrington and Wright were also influenced by their hometown Boston music scene, specifically their friends and peers in Darlingside and the Ballroom Thieves. Months later, while recording their own EP, Tall Heights used all of it as inspiration, and allowed their intimate indie-folk to grow into something bigger and bolder. It was a natural growth — the sound of two musicians amplifying their music to its fullest potential, exploring some new territory along the way.
“We’re singing together more than ever before,” Wright adds. “Throughout all of Holding On, Holding Out, there are only a few places where only one person is singing without the other. There’s a lot of perfect unison, too: just two people singing the same note at the same time, fusing their voices into a sound that’s bigger than the sum of its parts. I think that’s the biggest difference between this project and the last project. We’re not just harmonizing; we’re singing together all the time.”
Holding On, Holding Out also draws a line between humans’ relationships with each other and their environment. It’s a call to be more present and conscious, especially with things we all hold dear — family, love, our planet — are at stake. At its core, though, Holding On, Holding Out is a blast of exploration and electricity from a group that previously did some of its best work unplugged. It’s progressive and propulsive, shining a light not only on where Tall Heights have been before, but where they’re going.
“It’s a contemporary sound that is not without its ageless qualities.” – Chicago Sun Times
“Certifiably unclassifiable” – Boston Herald
“There have been many bands in recent years that have employed beautiful close harmonies, but when you add the strings and the great songwriting, Tall Heights is a notch above the pack.”– WBEZ
“Call it simply gorgeous.” – WFUV
$15.00 Ages 21+
Hailing from the Boston area, Paul Wright and Tim Harrington met each other in their hometown of Sturbridge through Tim’s older brother. The friendship blossomed in high school when they both took up the guitar and began working on music together. It didn’t take long for them to see the potential hidden in these casual jam sessions. As Paul recalls, “Tim transformed from kid brother to musical collaborator over the course of a summer.”
Tall Heights is now set to release two highly-anticipated singles, ‘Keeps Me Light’ and ‘Under Your Skin’, both mixed by Grammy-nominated engineer Damien Lewis. Following on the success of their viral single ‘Spirit Cold’, this new material captures a similar authentic and meaningful energy, but also shows a side we have not yet seen of the pair. The self-produced project, recorded in their simple home studio, captures that raw moment between albums, delivering some of their most honest and heartfelt work to date. Written and recorded in a reflective lull between hectic periods of touring, the new tracks reaffirm Tall Heights’ commitment to a singular sound and an equally rare friendship.
Combining Paul’s lifetime of classical training, Harrington’s spontaneous artistic instincts, and the prismatic union of their unique voices, Tall Heights’ sonic imprint is in a category all its own.
Tall Heights’ recordings have amassed over 275 million streams. They regularly serve as Ben Folds’ backing band, and have toured alongside CAKE, Judah & the Lion, Colony House, and The Paper Kites. They’ve also performed on both Conan in 2016 and CBS Saturday Morning in 2018. ‘Under Your Skin’ and ‘Keeps Me Light’ are due for release fall 2019.
Recorded at Color Study studio in Goshen, Vermont, Holding On, Holding Out was partially inspired by the music that poured out of Tall Heights’ car speakers during the long drives from show to show. The guys found themselves listening to a wide array of sounds as they hurtled across the country, but they zeroed in on Icelandic music, taking influence from the sonic sweep of Sigur R&ocute;s and the electronic percussion of Ásgeir. The music of Iceland’s underground was deep, dark and cinematic, able not only to deliver a melody, but to cast a mood, too. Harrington and Wright were also influenced by their hometown Boston music scene, specifically their friends and peers in Darlingside and the Ballroom Thieves. Months later, while recording their own EP, Tall Heights used all of it as inspiration, and allowed their intimate indie-folk to grow into something bigger and bolder. It was a natural growth — the sound of two musicians amplifying their music to its fullest potential, exploring some new territory along the way.
“We’re singing together more than ever before,” Wright adds. “Throughout all of Holding On, Holding Out, there are only a few places where only one person is singing without the other. There’s a lot of perfect unison, too: just two people singing the same note at the same time, fusing their voices into a sound that’s bigger than the sum of its parts. I think that’s the biggest difference between this project and the last project. We’re not just harmonizing; we’re singing together all the time.”
Holding On, Holding Out also draws a line between humans’ relationships with each other and their environment. It’s a call to be more present and conscious, especially with things we all hold dear — family, love, our planet — are at stake. At its core, though, Holding On, Holding Out is a blast of exploration and electricity from a group that previously did some of its best work unplugged. It’s progressive and propulsive, shining a light not only on where Tall Heights have been before, but where they’re going.
“It’s a contemporary sound that is not without its ageless qualities.” – Chicago Sun Times
“Certifiably unclassifiable” – Boston Herald
“There have been many bands in recent years that have employed beautiful close harmonies, but when you add the strings and the great songwriting, Tall Heights is a notch above the pack.”– WBEZ
“Call it simply gorgeous.” – WFUV
Share With Friends