Vernon Reid - Guitar Corey Glover - Voc Will Calhoun - Drums Doug Wimbish - Bass

Throughout his wide-ranging career, Tim Lefebvre has amassed a reputation for being one of the world’s most innovative bassists. The Foxboro-native’s creative playing style is an addictive blend of jazz improvisation, rock undertones, and electronic grooves that can be heard on his appearances on over 150 recordings, ranging from Grammy award-winning albums such as David Bowie’s Blackstar to the soundtracks of classic films such as The Departed. From 2013 to 2018, Lefebvre was the bassist of the dynamic blues rock ensemble Tedeschi Trucks Band, and he can be heard on their three most recent releases, Let Me Get By (2016), Live From The Fox Oakland (2017), and Signs (2019). Before joining the group, he worked with artists such as Uri Caine, Chris Botti, and Leni Stern. Now based in Los Angeles, Lefebvre is currently the bassist for numerous groups, most notably with jazz-fusion guitarist Wayne Krantz, improvisational free-jazz group Whose Hat Is This?, and his Blackstar bandmate Donny McCaslin. He has recently performed with Chris Potter, Jon Batiste and Stay Human on The Late Show with Stephen Colbert, Empire of the Sun, Carole King, Ben Platt, Knower, and Matisyahu as well. Lefebvre is also the producer for a diverse range of projects, which includes singer-songwriter Rachel Eckroth’s When It Falls (2018), The Garden (2021) and XXXX by Wollny Parisien Lefebvre Lillinger For nearly two decades, Nate Smith has been a key piece in reinvigorating the international music scene with his visceral, instinctive, and deep-rooted style of drumming. He holds a diverse and ample résumé — which includes work with esteemed jazz leading lights such as Pat Metheny, Dave Holland, Chris Potter, José James, John Patitucci, Ravi Coltrane, and Somi among many others. His 2x GRAMMY-nominated debut album, KINFOLK: Postcards from Everywhere, sees Smith fusing his original modern jazz compositions with R&B, pop, and hip-hop. He’s also ventured into the pop/rock world with recent collaborations with Vulfpeck spinoff band The Fearless Flyers, Brittany Howard (of Alabama Shakes) and performances with songwriters Emily King and Van Hunt. In recent years, through a series of viral videos, he has emerged as one of the most influential and popular drummers of his generation. His videos have been viewed millions of times and have inspired countless musicians and fans. In September of 2018, he released his first ever solo drumset album Pocket Change.   As a composer and arranger, Mr. Smith received two (2) GRAMMY nominations for his composition “Home Free (for Peter Joe)” for best instrumental composition and best arrangement (instrumental or a cappella). Of the KINFOLK: Postcards From Everywhere project, Mr. Smith says: “It was my goal to start with the simplest of elements, singable melodies with familiar harmonies, and use them to weave stories that felt nostalgic without being overly sentimental. Pieces like ‘Retold’ and ‘Pages’ use familiar, consonant harmonies as a means of evoking the listener to “reach back” for a memory, while ‘Skip Step’ and Spinning Down’ use layers of rhythm to express a feeling of unsettled tension. ‘Disenchantment: The Weight’ uses an ascending/descending chord progression to simulate a deep sigh of resignation, while ‘Home Free (for Peter Joe)’ uses a hymn like melody as a means of evoking feelings of both solemnity and ceremony.

The Band Royale was born out of love for big guitar riffs, an appreciation for the finer things, and a mutual obsession with science fiction. And they are able to sneak these things into their sound without scaring off the opposite sex. Since it’s release on New Years Day, …As Long As The Money Lasted has sold in over 59 countries worldwide and featured in SPIN, Consequence of Sound, AV Club, NYLON, Chicago Tribune, Modern Drummer, Bass Player Magazine & more.  Brothers Joel, Nate, and Zach Bauman grew up in the working-class town of Kalamazoo, MI, each with an immediate passion for music (passed down from their parents — their mother, a music teacher and their father, a school principal). At an early age, their shared obsessions with music, sports, and culture made the pursuit of playing in a band together an obvious choice. Once they moved to Chicago, they teamed up to make the heaviest music they could that would inspire some serious baby-making. Our music will always be free because your money is not why we do this. The Band Royale’s goal is to redefine what being a “successful” band means in the New Music Industry, and using the Internet and social media to put our music in people’s hands whether or not they’re in the same hemisphere we are. The world is a smaller place than it used to be, and the “old ways” of promoting your band simply don’t matter to us.

Drummer Zach Danziger and bassist Kevin Scott are two of the baddest musicians on the global music scene. Wednesday Night Titans is their baby, a multimedia, Championship Wrestling-fueled extravaganza that’s one-part NASA-like brain challenge (Google “Zach Danziger TED Talk”), two parts interactive video shock treatment, and three parts future-music language lesson. Utilizing the zany antics of such 1980s-era wrestling icons as Hulk Hogan, Ric Flair, Dusty Rhodes, and Randy “Macho Man” Savage as their video-projected inspirations, Wednesday Night Titans create a unique, proto-cosmic barrage, manipulating speech, video, music, and lights from their instruments in real time. It’s an over-the-top mind-gasm of roid-warrior madness, and performance art profundity.

From John Coltrane to Flying Lotus, Mateyko Jazwinski blends an incredibly wide variety of influences into his music. Mateyko has played in prominent venues such as SFJAZZ, has appeared on ABC 7 Chicago’s Windy City Live, and hosted a 10-week residency at Andy’s Jazz Club. Mateyko has also performed at several charity events for Lurie Children’s Hospital of Chicago and the Children’s Heart Foundation.  Born with the heart condition Tetralogy of Fallot, he could not engage in contact sports with other children while growing up in a sports-heavy community. Music gave him an outlet to express himself and connect with other people. Mateyko’s dedicated passion for upright & electric bass, composition, and performance provide a sense of escape and exploration to those around him. Mateyko is currently pursuing B.M. at the San Francisco Conservatory of Music. He studies with Matt Brewer, Scott Pingel, and Sharay Reed.