Norwegian black metal titans 1349 have returned with their long awaited seventh full-length: ‘The Infernal Pathway’. The album promises a journey through chaos and madness, darkness and peril, terror and annihilation. 1349 is AURAL HELLFIRE. That has been, and continues to be, the primary concept since the band first rose from the ashes of Alvheim in 1997. Conceived around the founding members – vocalist and former drummer Ravn, guitarist Tjalve, and Seidemann on bass – 1349 completed their line-up with the addition of guitarist Archaon in 1999 and SATYRICON drum-legend Frost in 2001. When their debut ‘Liberation’ was unleashed in 2003, the Norwegians took the world by storm with their intense blend of old school black metal soundscapes and ultra-fast aggression. Further assaults followed in rapid succession. ‘Beyond the Apocalypse’ (2004) and ‘Hellfire’ (2005) cemented the band’s reputation as one of the strongest acts in the scene. Upon the departure of founding member Tjalve, who decided to focus on his band PANTHEON I, 1349 have since continued as a four-piece – occasionally adding guest guitarists. Extensive touring aided the growth of their now massive following when the four piece opened for reunited metal legends CELTIC FROST in North America in 2006. Impressively demonstrating that holding true to the principles of the genre do not mean nostalgia and stagnation, 1349 widened their sonic palette with ‘Revelations of the Black Flame’ (2009), which was co-mixed by CELTIC FROST mastermind Tom Gabriel “Warrior” Fischer. This inspired a newfound ambient darkness from the band, which was further explored on ‘Demonoir’ (2010). ‘Massive Cauldron of Chaos’ (2013) was the next milestone in the Norwegians merciless advance, scoring excellent reviews and a nomination for a Norwegian Grammy (Spellemannprisen). The release sparked more festival shows as well as extensive touring, bringing 1349 to Australia and New Zealand. In 2018, the Munch Museum and Innovation Norway chose 1349 as one of four bands to create a song based on the paintings of Edvard Munch. As a result, the single ‘Dødskamp’ was released earlier this year. After performing a fiery show at Norway’s Inferno festival this year, 1349 started recording in Amper Tone studios and Studio Nyhagen with engineer Jarrett Pritchard. Thus, ‘The Infernal Pathway’ was born, a sonic parallel to summoning and unleashing the beast of the abyss in all its fearsome, ferocious and powerful splendor. Gearing up for a full U.S. tour in the fall, and a European tour with ABBATH and VLTIMAS in 2020, more events will unfold, making this a banner year for 1349.

Since 2016, Antichrist Siege Machine has been churning forward, fueled by the hellborne compulsion to demolish everything in its path. From its inception, its trajectory has been aimed at the vulnerable heart of the great schism which weakens all whom it divides. Its campaign is to wage heretical warfare against all those who fear it. Those who have not yet felt the overwhelming force of ASM will swiftly submit as they heed its declaration: “Schism Perpetration is the resounding strike against the legions of false allies, forged legacies, and mockeries of true satanic hate. Antichrist Siege Machine bears the banner of godless strength above a battering ram against theocracy and its accomplices. A fatal blow will be dealt to the peddlers of false teachings and their atrocities committed against humanity.” Their latest EP, “Filth of the World” is an impetuous rapid-fire barrage that hearkens back to ASM’s demo days with quick songs and menacing mid-range screams, but with the finesse of seasoned veterans. On this EP, ASM show they haven’t settled into one formula and stuck with it, nor have they forgotten their origins, but instead continue to build on their foundation, upward and onward with all weaponry aimed at the heavens themselves.

SPIRIT POSSESSION is a new raw and erratic black heavy metal entity emerging from the old school origin depths. They are a duo comprised of vocalist/guitarist S. Peacock (Ulthar, Mastery, Pandiscordin Necrogenesis) and A. Spungin (Ormus, Tarus) on drums and handmade synthesizers.