(Raymond Watts) inhabits a genre of one. How to begin to describe it? We can start with KMFDM, since the unforgettable Englishman behind it – Raymond Watts – was a founder member. Once you have a certain combination of hard rock, soulful electro-pop and funk in your head, you can introduce Foetus: big band, blues and classical samples pounded into place by some behemoth of machinery – but zigs where Foetus zags. JG Thirlwell was a frequent collaborator and shaper of the early sound; he appears on ‘Peoria‘ and ‘Sick City‘ and produced the first couple of albums. Accordingly, Watts took a brief turn in the Foetus live band, and contributed to the first two Steroid Maximus albums.  So, we’re up to hard rock, electro-pop, funk, big band, blues, clanging metallic percussion, samples of classical, world music, soundtracks … and we can throw in the auras of his erstwhile collaborators, too: the swaggering, strutting sexuality of 90s Foetus topped with the effortless glamour of KMFDM. Then take his time in Japan, where he’s played with Schaft and Schwein – sounding roughly like all of the above but with Buck-Tick’s punky Visual Kei sensibility added to the mix.  Ignoring the occasional curveball (such as the latin influence on ‘Salambo’), we could almost by this point imagine the sound, were it not for the one thing that makes truly unique. makes rock like nobody else. Take the chunky, maddeningly memorable riffs from Metallica’s ‘Black Album‘ and double them. Punishing and pleasing in equal measure, it’s a perfect storm of pop hooks and grinding guitars. Take any track from ‘Sinsation‘ or ‘Wrecked‘ – ‘Everything‘, ‘Serial Killer Thriller‘, the popular single ‘Painiac‘ … there you have it in distilled and devastating form. is obliteration and alliteration.  is a soufflé of scorching, searing squeals, pummeling percussion and eccentric electronics. Raymond’s voice ricochets between delicious soulful croon and aggressive, snarling growl. Take a track like ‘Scumsberg‘ that blends Gregorian chant samples, dissonant bells, playful brass, dramatic orchestral stabs and the most absurdly funky bassline you’ll never forget. Take the uptempo ‘Contempt‘ – surely the most dance floor-friendly disco-metal stomper since Raymond’s own ‘Juke Joint Jezebel‘. Take the ferocious, frenzied ‘Hamstrung on the Highway‘, or the candy-sweet ‘Angel‘ or the joyfully colossal ‘Death Rattle and Roll‘.  A collection of beautifully-written, catchy rock songs with quirky arrangements is a starting point, but doesn’t get close to what makes unique. Ultimately, just has to be heard.

Esoterik is a Darkwave, Synth driven, band located in Oklahoma City. The band was formed in Early 2013 by Allison Eckfeldt and Brady Bledsoe. They combine Synthpop, Dark Wave and Electronic Dance. Esoterik’s sophomore album, ‘Atonement’, was released in October 2015 and produced by Rotersand’s own Krischan Wesenberg. At the same time as the album drop Esoterik released the music video for ‘Necrodancer’ the first single from ‘Atonement.’ The second music video to be released for the album ‘Atonement’ was ‘Cup of Life.’ A song that paved the way into Esoterik’s new sound-scape that was lovingly coined ‘Pagan-Synth’ by a fan. Evolving into the sound of ‘Pagan-Synth’ Esoterik dropped the EP ‘Set Fire to Me’ May 12th,2017 which was mixed, mastered and produced by Gregor Beyerle of Studio Dreamcatcher. The EP’s goal being to prep fans and new listeners for the new 12-track Album due to be released late 2018. The EP included a new music video titled ‘Spirits Light the Way’ which was very well received by fans.

Pittersplatter is an electronic industrial project based in the stinking junk heaps of Oklahoma. The band was founded in 2002 by lead song writer and vocalist Worm. Pittersplatter has released 3 demos and 3 full length albums, The Dawn of Carnage (2011), Frozen (2013), and Wastelands (2018). Pittersplatter played its first live gig in 2004 and has since gigged consistently in their home state and in much of their region. Worm writes and records the vast majority of the band's material alone and enlists live members to make stage shows a reality for the project. Pittersplatter has remained a shocking staple in the Oklahoma music industry for well over a decade, known for their abrasive electronic style of industrial music as well as their extreme imagery.