Javon Jackson, Ron Carter, Billy Drummond
Wednesday, Feb 24, 2016 8:00 PM EST
Iridium, New York, NY
Javon Jackson came into international prominence as a member of Art Blakey and the Jazz Messengers. As a member of Blakey’s Jazz Messengers, Javon toured and made many recordings with the legendary drummer. In addition to Blakey, Jackson has toured and recorded with Elvin Jones, Freddie Hubbard, Betty Carter, Cedar Walton, Ron Carter, Donald Byrd, Dr. Lonnie Smith, Richard Davis, Bobby Hutcherson, Curtis Fuller and Stanley Turrentine.
As a recording artist, Jackson has appeared on over 125 recordings. Additionally, he has developed a formidable career as a leader, recording and touring throughout the world
From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet and is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy. He later toured Europe with Cannonball Adderley. In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call 'Sheet Blues', an instrumental composition from the film 'Round Midnight.
Heralded by Downbeat as "one of the hippest bandleaders now at work" Billy Drummond, who first came to prominence in the late 1980s in the bands of three jazz legends: Horace Silver, J.J. Johnson, and Sonny Rollins, is widely acknowledged as one of the great drummers of his generation. "Unique,... he brings the kind of highly-refined intelligence which Max Roach introduced to drumming," says critic Stanley Crouch. "Powerful and highly musical" (AllAboutJazz), "one of the most crisp, popping, and sensitive drummers around" (Modern Drummer), "he likes to push the limits of jazz," says the Newark Star-Ledger, "drawing on its traditions while seeking a vibrant, open-doored present."