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SPACE

Over the Rhine

Saturday, Aug 26, 2017 8:00 PM CDT (7:00 PM Doors)
SPACE, Evanston, IL

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GA Seated

 - Limit is 10 tickets for this section
Guaranteed seat. Seat location is first come, first served. Seats guaranteed until showtime.
GA Seated $35.00

Table 13

 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.
Table $60.00

Table 14

 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.
Table $60.00

Table 15

 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.
Table $60.00

Table 21

 - Limit is 4 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.
Table $45.00

Table 43

 - Limit is 4 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.
Table $45.00

Standing Room

 - Limit is 10 tickets for this section
Standing Room Only. No seats.
Standing Room $20.00
Total limit is 10 tickets for all sections combined

Delivery Type:

UPS 2nd Day $14.50 -  No P.O. Boxes, U.S. addresses only.
Please allow 2-3 business days for UPS 2nd Day delivery.
Mail $2.50 -  Please allow 10 days for Mail delivery.
Will Call Check in electronically at venue box office.

Terms and Conditions:

**Please note fees include Evanston and Cook County amusement tax.** We want to make sure that all patrons know what to expect when attending events at SPACE. Please note that not all tickets guarantee seats. Seating varies show by show, so please pay attention to the description of the seating level that you select. A "Reserved Table Seat" guarantees one seat at a cabaret table. Every individual in your party needs a ticket in that section in order to sit at your table. Table seats are held until one hour after the start time of the show. Reserved Table Seats and any will-call tickets are non transferable - the name of the person ordering must match the name of the person picking up the tickets. A “GA Limited Seating” ticket guarantees access to the concert, but does not guarantee a seat. Seating is available on a limited, first-come, first-served basis. If seating is absolutely necessary to you, please purchase a Reserved Table Seat. For certain shows, we will have a "GA Seated" section, which guarantees a chair, but no table. Seats for this section are guaranteed until showtime. A “GA Dance Floor” or “Standing Room” ticket is just that. There is absolutely no seating in either of these sections. Please do not purchase a ticket in these sections if you will be unable to stand for the duration of the show. Doors for concerts open one hour before the start time of the show. SPACE reserves the right to change the start time, or to add performers to a lineup. Ticket buyers will be emailed with any major changes. No outside food or drinks are permitted. Pizzas from Union Pizzeria can be brought into the concert. SPACE has a full bar and cocktail service during shows. Flash photography is not permitted in SPACE. This is a listening room, and it is important to us that performers are able to be heard. Patrons talking during quiet shows may be asked to step outside so others can enjoy the show. SPACE is an all-ages venue, but patrons must be 21 to drink alcoholic beverages. No refunds will be given under any circumstances. By continuing with this purchase, you acknowledge that you have read and understood the terms and conditions stated above.

 I understand and accept these terms.

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Additional Information

PRESALE: WED MAY 10 at 10AM
PUBLIC ONSALE: FRI MAY 12 at 10AM

“It’s a collection of songs that required some extra real estate,” Linford Detweiler says of Over the Rhine’s Meet Me At The Edge Of The World, the latest product of his prolific two-decade musical collaboration with longtime partner Karin Bergquist.

Indeed, the new two-CD set, recorded with producer Joe Henry and released on the band’s own Great Speckled Dog label, marks something of a landmark in Over the Rhine’s large and remarkably accomplished body of work, exploring some challenging new musical territory while featuring some of the duo’s most compelling songs and performances to date.

The double album’s 19 songs—18 original compositions plus a memorable reading of The Band’s classic “It Makes No Difference”—are both introspective and expansive, embodying the same mix of lyrical eloquence, emotional nuance and melodic soulfulness that have already won Bergquist (vocals, acoustic guitar, tenor guitar) and Detweiler (vocals, acoustic guitar, keyboards) a passionate fan base and considerable critical acclaim.

Paste has praised Over the Rhine’s “lovely, heartbreaking, and ultimately uplifting musical mosaic,” while USA Today made note of the group’s “mature, graceful and sad songs (and) intimate, soulful arrangements,” which “showcase Bergquist’s achingly beautiful voice.” Newsday described the music as “aggressively beautiful, like those ’60s protesters who confronted soldiers with flowers.”

“There may be no more soothing voice in music than Karin Bergquist’s,” observed Entertainment Weekly. “She could be interpreting jazz standards, but fortunately she applies that balm to her and husband Linford Detweiler’s beautifully languid originals, which invoke hard times and celebrate the survival of the least fit.”

Meet Me At The Edge Of The World’s blend of confident songcraft and creative restlessness is apparent on such vividly expressive new songs as “Meet Me at the Edge of the World,” “Sacred Ground,” “All Of It Was Music,” “Favorite Time of Light,” “Wildflower Bouquet” and the haunting “Don’t Let The Bastards Get You Down,” which features guest vocalist Aimee Mann.

The songs that comprise Meet Me At The Edge Of The World were largely inspired by the atmosphere of the couple’s rural Ohio home of the past eight years: a ramshackle farmhouse built in 1833, amidst the rolling, tree-lined fields of rural Highland County, 45 miles east of the band’s original urban home base of Cincinnati.

“These songs all grew loosely out of the soil we live on,” Detweiler explains. “We had always dreamed of having a piece of unpaved earth which would serve as our home base, just like many other American artists or writers that are immediately associated with a specific geographical place. We call our place Nowhere Farm: nowhere, or now here, depending on how you look at it.”

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