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SPACE

93XRT Welcomes Split Single w/ Midnight Reruns and Paul Kalil

Saturday, Jun 24, 2017 8:00 PM CDT (7:00 PM Doors)
SPACE, Evanston, IL

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GA Limited Seating

$20.00
 - Limit is 10 tickets for this section
Limited seating. Seats not guaranteed.

Table 11

$35.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 12

$35.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 13

$35.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 14

$35.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 15

$35.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 25

$35.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 33

$35.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 41

$35.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 42

$35.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 43

$35.00
 - Limit is 4 tickets for this section
Reserved table seat.
Total limit is 10 tickets for all sections combined

Delivery Type:

UPS 2nd Day $14.50 -  No P.O. Boxes, U.S. addresses only.
Please allow 2-3 business days for UPS 2nd Day delivery.
Mail $2.50 -  Please allow 10 days for Mail delivery.
Will Call Check in electronically at venue box office.

Terms and Conditions:

**Please note fees include Evanston and Cook County amusement tax.** We want to make sure that all patrons know what to expect when attending events at SPACE. Please note that not all tickets guarantee seats. Seating varies show by show, so please pay attention to the description of the seating level that you select. A "Reserved Table Seat" guarantees one seat at a cabaret table. Every individual in your party needs a ticket in that section in order to sit at your table. Table seats are held until one hour after the start time of the show. Reserved Table Seats and any will-call tickets are non transferable - the name of the person ordering must match the name of the person picking up the tickets. A “GA Limited Seating” ticket guarantees access to the concert, but does not guarantee a seat. Seating is available on a limited, first-come, first-served basis. If seating is absolutely necessary to you, please purchase a Reserved Table Seat. For certain shows, we will have a "GA Seated" section, which guarantees a chair, but no table. Seats for this section are guaranteed until showtime. A “GA Dance Floor” or “Standing Room” ticket is just that. There is absolutely no seating in either of these sections. Please do not purchase a ticket in these sections if you will be unable to stand for the duration of the show. Doors for concerts open one hour before the start time of the show. SPACE reserves the right to change the start time, or to add performers to a lineup. Ticket buyers will be emailed with any major changes. No outside food or drinks are permitted. Pizzas from Union Pizzeria can be brought into the concert. SPACE has a full bar and cocktail service during shows. Flash photography is not permitted in SPACE. This is a listening room, and it is important to us that performers are able to be heard. Patrons talking during quiet shows may be asked to step outside so others can enjoy the show. SPACE is an all-ages venue, but patrons must be 21 to drink alcoholic beverages. No refunds will be given under any circumstances. By continuing with this purchase, you acknowledge that you have read and understood the terms and conditions stated above.

 I understand and accept these terms.

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Additional Information

“…a first-rate songwriter and band leader.” — Greg Kot, Chicago Tribune
 
“Jason Narducy is the reason Foo Fighters exists (just ask Dave Grohl). He’s also in possession of rock’s sexiest elbows (just ask Ian Rubbish).” — NPR Music
 
“‘Metal Frames’ [. . .] is full of compact, bristling and melodic rock songs indebted to snarling punk, noise-laced pop, muscular classic rock and Cheap Trick.” — Salon
 
“With ‘Metal Frames,’ Narducy not only avoids the sophomore slump, he enters MVP territory.” — Magnet
 
“…a powerhouse pop record that prides itself on tenacious vocals and resolute rhythm guitar.” — Stereogum
 
“You won’t see more indie rock cred than on the CV of Jason Narducy.” — KEXP, “Song of the Day”
 
I suppose the “smart” thing to do would be to start off with all the usual crap folks tend to talk about when Jason Narducy, the “brains” behind the rock collective Split Single, comes up in casual conversation, like how he plays bass with Bob Mould and those fuckers in Superchunk, used to play bass with Bob Pollard and whomever else, had a band called Verbow, inspired Dave Grohl to devote his life to music back when neither of them were even old enough to go on all the rides, and whatever the hell else you wanna throw in there. But do you want the “facts” or do you want the truth?
 
The truth is Narducy scares the hell out of me.
 
I’ll never forget the first time I met the guy. It was in Chicago or Baltimore maybe. Or it might have been Akron. Anyway, I was shuffling home after another long night of anything goes when suddenly, from out of nowhere, a van pulls right up onto the sidewalk and screeches to a halt right in front of me, its side view mirror nearly cracking me right in the jaw.

“I’ll call you,” Narducy says, stuffing the napkin she had just written her phone number on into the pants pocket of some sad sack passed out in a booth by the entrance and heading for the van. “Maybe.”
 
The night finally ends with Narducy standing on a hillside at dawn, caressing a disoriented fawn while giggling uncontrollably with a gaggle of French schoolgirls who seemed to have appeared out of nowhere.
 
The reason I bring all this up, of course, aside from the fact that it’s awesome, is because Narducy’s band Split Single has a new album out. It’s their second, it’s called Metal Frames, and, kind of like the night I just told you about, it’s goddamn exhilarating and scary and I didn’t want it to end. Narducy sings and strangles the guitar on it, Jon Wurster (Bob Mould, Superchunk, Mountain Goats, and 78 other bands) beats the crap out of the drums on it, John Stirratt (Wilco, duh) thumps the damn bass on it, and Nora O’Connor sings her ass off all over the thing.

— Dave Hill, 2016

 

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