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BLACK STONE CHERRY
Citizen Zero
Letters From The Fire

Thursday, Jun 15, 2017 8:00 PM CDT (7:00 PM Doors)
Austin's Fuel Room, Libertyville , IL
21 years and over

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General Admission

$20.00
 - Limit is 10 tickets for this section
STANDING ROOM ONLY

Sneak Peek/Free Beer

$35.00
 - Limit is 10 tickets for this section
30 min. early entry. Free beer during that 30 min.

VIP/Open Bar

$85.00
 - Limit is 10 tickets for this section
Premium viewing area. Limited Seating. Open bar from start to end of show.
Total limit is 10 tickets for all sections combined

Delivery Type:

UPS 2nd Day $14.50 -  No P.O. Boxes, U.S. addresses only.
Please allow 2-3 business days for UPS 2nd Day delivery.
Mail $1.00 -  Please allow 10 days for Mail delivery.
Will Call Hold at venue box office.

Terms and Conditions:

This event is 21 and over. Any Ticket holder unable to present valid identification indicating that they are at least 21 years of age will not be admitted to this event, and will not be eligible for a refund.

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Additional Information

They say you can't go home again. But Black Stone Cherry proves otherwise on KENTUCKY, the quartet's fifth album and most diverse and mature -- not to mention dynamically exciting -- effort to date.

 

A decade ago, Black Stone Cherry made its attention-grabbing self-titled debut at David Barrick's Barrick Recording near their hometown of Edmonton, KY. It proclaimed the arrival of a vibrant and exciting new force in Southern rock 'n’ roll, a group that played with fire, sang with brimstone and had plenty of cajones -- what other young band, after all, is willing to take on something as iconic as the Yardbirds' "Shapes of Things" on its first album?

 

Flash forward nine years and the BSC crew -- still guitarists Chris Robertson and Ben Wells, bassist Jon Lawhon and drummer John Fred Young -- found themselves back at Barrick, which had relocated and modernized a bit during the intervening years, although its analog mixing board hails from EMI's legendary Abbey Road studios in London. This was hardly the same group of fresh-faced rock nubiles that made the BLACK STONE CHERRY album, either; they'd traveled hundreds of thousands of miles on six continents, written scores more songs and even jousted a bit with the industry. They're family men and homeowners, too -- still rockers to the core but well aware of the "real world" outside the tour bus. So they came into KENTUCKY –- the quartet’s first release for Mascot Records -- more seasoned, battle-savvy and focused, ready to come back home and turn everything they'd learned into a set of ambitious and fearless new music. 

 

"There's all this freedom because it's just us producing it this time," says Robertson. "We're doing it like we did that first one; people still rave about that record, our fans do. But a decade later we're all older, more mature. We all feel like better musicians and songwriters. But even though we're older now it's got a certain element of youth about it that you just can't escape. It's the most interesting album we've done thus far.”

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