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SPACE

Callaghan

Sunday, May 21, 2017 7:00 PM CDT (6:00 PM Doors)
SPACE, Evanston, IL

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GA Limited Seating

$14.00
 - Limit is 10 tickets for this section
Limited seating. Seats not guaranteed.

Table 14

$24.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 15

$24.00
 - Limit is 5 tickets for this section
Reserved table seat.

Table 31

$24.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 41

$24.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 42

$24.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 43

$24.00
 - Limit is 4 tickets for this section
Reserved table seat.

Table 44

$24.00
 - Limit is 4 tickets for this section
Reserved table seat.
Total limit is 10 tickets for all sections combined

Delivery Type:

UPS 2nd Day $14.50 -  No P.O. Boxes, U.S. addresses only.
Please allow 2-3 business days for UPS 2nd Day delivery.
Mail $2.50 -  Please allow 10 days for Mail delivery.
Will Call Check in electronically at venue box office.

Terms and Conditions:

**Please note fees include Evanston and Cook County amusement tax.** We want to make sure that all patrons know what to expect when attending events at SPACE. Please note that not all tickets guarantee seats. Seating varies show by show, so please pay attention to the description of the seating level that you select. A "Reserved Table Seat" guarantees one seat at a cabaret table. Every individual in your party needs a ticket in that section in order to sit at your table. Table seats are held until one hour after the start time of the show. Reserved Table Seats and any will-call tickets are non transferable - the name of the person ordering must match the name of the person picking up the tickets. A “GA Limited Seating” ticket guarantees access to the concert, but does not guarantee a seat. Seating is available on a limited, first-come, first-served basis. If seating is absolutely necessary to you, please purchase a Reserved Table Seat. For certain shows, we will have a "GA Seated" section, which guarantees a chair, but no table. Seats for this section are guaranteed until showtime. A “GA Dance Floor” or “Standing Room” ticket is just that. There is absolutely no seating in either of these sections. Please do not purchase a ticket in these sections if you will be unable to stand for the duration of the show. Doors for concerts open one hour before the start time of the show. SPACE reserves the right to change the start time, or to add performers to a lineup. Ticket buyers will be emailed with any major changes. No outside food or drinks are permitted. Pizzas from Union Pizzeria can be brought into the concert. SPACE has a full bar and cocktail service during shows. Flash photography is not permitted in SPACE. This is a listening room, and it is important to us that performers are able to be heard. Patrons talking during quiet shows may be asked to step outside so others can enjoy the show. SPACE is an all-ages venue, but patrons must be 21 to drink alcoholic beverages. No refunds will be given under any circumstances. By continuing with this purchase, you acknowledge that you have read and understood the terms and conditions stated above.

 I understand and accept these terms.

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Additional Information

When Callaghan moved from London to Atlanta during the summer of 2010, she was still a relatively unknown name in the States. A singer/songwriter whose music blurred the edges between pop, adult contemporary and Americana, she had been drawn to Atlanta by one of her biggest influences - Shawn Mullins - after he had agreed to produce her first album. It was a classic story of taking risks, of willingly throwing your life into upheaval in order to chase your dreams.

Just a few years later, Callaghan’s writing a second chapter of that success story. On her second album, A History of Now, she draws upon four years of touring, recording and growing appreciation in the U.S. She's transformed herself from a burgeoning indie songwriter — playing to 20 people at her first US show — to a full-fledged headliner who's toured across 46 states, played the Cayamo Cruise, performed at packed venues around the country and logged more than 50,000 highway miles per year. Along the way, she's developed a close connection with her fans, even booking a series of cross-country tours consisting of nothing but shows in people’s homes.

It was her very first house show tour — which stretched from coast-to-coast in 2013, a year after the release of her widely-acclaimed debut album, Life in Full Colour — that earned Callaghan a four-page spread in Billboard Magazine.

The magazine credited her with "helping reshape the business of touring, if not music consumption entirely," and praised Callaghan for her strong vocals and do-it-yourself work ethic. The Huffington Post agreed, adding, "She's one of those performers whose genuine sweetness is transparent in her voice, and it shines through her writing."

Playing her fans' living rooms has allowed Callaghan to put herself in direct contact with her audience, erasing the boundaries that often exist between musicians and their fans — and allowing her to compete on the same level as bands backed by major labels. In 2014, while raising money to record A History of Now she turned to her own fans for help. They responded with overwhelming support, sending in more than 300 donations via a wildly successful PledgeMusic campaign.

That connection is more evident than ever in A History of Now, whose songs reflect moments and experiences from Callaghan's own life, as well as stories that people have shared with her. Rather than make the album strictly biographical, Callaghan's songs are written in a more universal way, allowing her audience to connect the songs to their own lives. On "Who Would I Be," one of the album's many highlights, she pays tribute to those supporters, thanking them for allowing her music to enter their lives and for enabling her to do what she loves. Meanwhile, "Crazy Beautiful Life" — the album's lead single — celebrates the joys found in the sheer unpredictability and exuberance of life, and "Best Year" — a re-recording of a bouncy, breezy song that also appeared on Life in Full Colour — is a seize-the-day anthem aimed at anyone who's longed to "tear up the rulebook, leave it all behind... and find some bluer skies."

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