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SPACE

Alice Peacock
with Ernie Hendrickson

Saturday, May 06, 2017 8:00 PM CDT (7:00 PM Doors)
SPACE, Evanston, IL

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GA Seated

$26.00
 - Limit is 10 tickets for this section
Guaranteed seat. Seat location is first come, first served. Seats guaranteed until showtime.

Table 11

$36.00
 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 12

$36.00
 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 14

$36.00
 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 15

$36.00
 - Limit is 5 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 31

$36.00
 - Limit is 4 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 32

$36.00
 - Limit is 4 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 35

$36.00
 - Limit is 4 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Table 41

$36.00
 - Limit is 4 tickets for this section
Reserved table seat. This performance features select-your-seat ticketing.

Standing Room

$18.00
 - Limit is 10 tickets for this section
Standing Room Only. No seats.
Total limit is 10 tickets for all sections combined

Delivery Type:

UPS 2nd Day $14.50 -  No P.O. Boxes, U.S. addresses only.
Please allow 2-3 business days for UPS 2nd Day delivery.
Mail $2.50 -  Please allow 10 days for Mail delivery.
Will Call Check in electronically at venue box office.

Terms and Conditions:

**Please note fees include Evanston and Cook County amusement tax.** We want to make sure that all patrons know what to expect when attending events at SPACE. Please note that not all tickets guarantee seats. Seating varies show by show, so please pay attention to the description of the seating level that you select. A "Reserved Table Seat" guarantees one seat at a cabaret table. Every individual in your party needs a ticket in that section in order to sit at your table. Table seats are held until one hour after the start time of the show. Reserved Table Seats and any will-call tickets are non transferable - the name of the person ordering must match the name of the person picking up the tickets. A “GA Limited Seating” ticket guarantees access to the concert, but does not guarantee a seat. Seating is available on a limited, first-come, first-served basis. If seating is absolutely necessary to you, please purchase a Reserved Table Seat. For certain shows, we will have a "GA Seated" section, which guarantees a chair, but no table. Seats for this section are guaranteed until showtime. A “GA Dance Floor” or “Standing Room” ticket is just that. There is absolutely no seating in either of these sections. Please do not purchase a ticket in these sections if you will be unable to stand for the duration of the show. Doors for concerts open one hour before the start time of the show. SPACE reserves the right to change the start time, or to add performers to a lineup. Ticket buyers will be emailed with any major changes. No outside food or drinks are permitted. Pizzas from Union Pizzeria can be brought into the concert. SPACE has a full bar and cocktail service during shows. Flash photography is not permitted in SPACE. This is a listening room, and it is important to us that performers are able to be heard. Patrons talking during quiet shows may be asked to step outside so others can enjoy the show. SPACE is an all-ages venue, but patrons must be 21 to drink alcoholic beverages. No refunds will be given under any circumstances. By continuing with this purchase, you acknowledge that you have read and understood the terms and conditions stated above.

 I understand and accept these terms.

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Additional Information

“I’d like to get stoned,” sings Alice Peacock over a shambling electric guitar at the beginning of her fourth album, Love Remains.

It’s a startling, if tongue-in-cheek, way to kick off a set of country-tinged pop-rock tunes recorded in the heart of Nashville. But like the title of the song in which it appears, “All About Me,” it’s also a tad misleading.

In fact, the song is about setting aside self-indulgent fantasies to embrace love and commitment, and after a few verses of wistful imaginings about Jack Kerouac road trips and “no sacrifice,” Peacock concludes – as swelling pedal steel and honky-tonk piano guide the waltz – “The life that I’ve got/ I guess that it’s not/ All about me.”

The song provides a fitting gateway to the album’s deepest themes and a statement of purpose after Peacock’s acclaimed 2005 album, the introspective, piano-driven Who I Am. “Enough navel-gazing!” Peacock declares with a laugh.

“This is a really positive record,” says the Chicago-based singer/songwriter. “It’s a reflection of where I am in my life and what really matters to me now. The title comes from this idea that other things fade away but love remains.” The often buoyant, outwardly focused lyrics are mirrored by a largely ebullient musical approach rife with feel-good guitar hooks and heartland grooves.

It might seem a radical departure for a classic-pop troubadour like Peacock, but she says her primary collaborator on the disc, co-producer/co-writer Danny Myrick, made it feel pretty easy.

The two found that the commonalities in their backgrounds – Myrick is the son of a southern Baptist preacher, Peacock the daughter of a northern Methodist minister – strongly influenced their co-creation. “Danny and I grew up singing in church, like a lot of preachers’ kids,” Peacock reflects. “Music was always really important for us, even if we didn’t necessarily buy the theology. There was good and not so good in our upbringing, but you don’t need to throw out the baby with the bathwater.”

“Writing with Danny brought me back to the best memories of my upbringing,” she adds. “The music we’re doing now is spiritual – and this record is in some ways a homecoming, reclaiming the essence of the faith we had growing up.”

That faith is reflected in myriad ways on Love Remains: in the joyous embrace of divergent paths (the rollicking “Real Life,” the rocking L.A. kiss-off “City Of Angels,” the Cajun-flavored travelogue “Fairborn”); in the humbling experience of finding a soul mate (the delicate, accordion-and-banjo-spiced “Lovely,” the playfully old-fashioned “Wrong Time”); in understanding one’s own limits and life’s unpredictability (“Do What I Can Do,” the expansive, gospel-inflected “Trying To Hold Back Time”); in the necessity of opening one’s heart in an often bitter world (the punchy, resolute “Forgiveness”); in the acknowledgement of death’s inevitability and human connection as the true measure of our lives (the timeless-sounding title track).

 

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