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Slave to the Day featuring A Day worth Dying For & Eyes Like Twenty
Zydeco Presents

Slave to the Day
featuring A Day worth Dying For & Eyes Like Twenty

Slave to the Day A Day worth Dying For Eyes Like Twenty

Saturday, Oct 05, 2013 9:00 PM CDT 2013-10-05T21:00 (8:30 AM Doors)
- Sunday, Oct 06, 2013 1:00 AM CDT 2013-10-06T1:00
, Birmingham, AL
18 years and over

15.0 15.0
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Additional Information

After the release of their debut album "Pushing Through The Still" in 2010,

Slave To The Day has toured heavily across the U.S performing hundreds of

shows in promotion of the album, as well as touring with many well known

national acts. With success and great response to their debut album, Slave

has completed writing of their newest album and are currently in studio

recording their Sophomore record to be released in 2014. With a positive

message that promotes individual strength, core values, and focus on

righting the ship “America”, fans and followers of Slave To The Day highly

anticipate the much awaited release.

Slave To The Day formed in 2007 by brothers Ian and Adam Willicott. After

years of writing music and performing hundreds of live shows, Slave decided

to record a full length album independently. In an attempt to grasp the same

unique sound and rawness of their live shows, Slave decided to record in

Louisiana with some of Hard Rock and Metal's best producers.

In August 2009, Slave To The Day began recording in Abita Springs, La.

with producer David "Puma" Troia (Mudvayne, 12 Stones, Down, Otep). In

February 2010, Slave started the finishing touches of the album at Balance

Studios in Mandeville, La. with producer Drew Vonderhaar (SOIL, Mudvayne,

Otep, Sheryl Crow). After a year of pre-production, recording and mixing,

Slave To The Day released their independent full length album "Pushing

Through The Still" in July 2010.

"Pushing Through The Still" musically and visually represents life's lessons

in adversity and the pursuit of goals, no matter how stagnant life around an

individual may be.


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