SOLD OUT - Frightened Rabbit
with The Twilight Sad
: Nashville Sunday Night presented by Lightning 100 & Yuengling
Sunday, Mar 24, 2013 8:00 PM CDT
(6:00 PM Doors)
3rd and Lindsley, Nashville, TN
With their sophomore outing The Midnight Organ Fight a fixture on 2008’s Best Of The Year circuit, a fanbase increasing in both size and devotion, and multiple sold-out tours of ever-larger venues under their belts, Glasgow-based Frightened Rabbit are releasing their third LP to towering expectations.
The Winter Of Mixed Drinks – a collection of ambitious, moving, and gloriously accomplished songs – more than meets this challenge. Written during singer/songwriter Scott Hutchison’s self-imposed exile to secluded seaside hamlet Crail, on Scotland’s Fife coastline, The Winter Of Mixed Drinks is speckled with nautical metaphor and imbued with themes of human isolation, resilience, and the mournful triumph of mortality. Though its subject matter often skews toward the dark, redemption – in the form of a joyful choral burst, chiming guitar line, or orchestral swell – is never far away.
Sonically, The Winter Of Mixed Drinks is expansive, airy, gorgeously tarnished; grand like a ballroom in a sunken ocean liner, tipped with blood and rust, gold-flecked and salt-scarred. String arrangements by Frightened Rabbit’s FatCat labelmate, Dusseldorf-based composer/pianist Hauschka, add heft and richness to songs already textured like living organisms. Album opener “Things” is a slow-burning meditation on mortality, buoyed by an optimistic vocal hook and insistent electronic buzz; first single “Swim Until You Can’t See Land” is a salt-water soak in human determination; ghostly vocals collide over the thrumming heartbeat of frustrationepic “Skip The Youth”; and barnstormers like “Nothing Like You” and “Living In Colour” punctuate the album with celebration and hopeful flight.
The Winter Of Mixed Drinks was producedand mixed by Peter Katis at Tarquin Studios in
Connecticut (who also manned the console for Frightened Rabbit’s previous outing), and
recorded by Stuart Hamilton at Castlesound Studios in Scotland. In an interview with NME in October, Scott explained: “We've broadened our horizons sonically and it feels like a natural move forward. Most importantly, it’s better than the last one. That's all I wanted, really.”