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The Roxy Theatre presents
Sunday, Dec 30, 2012 7:00 PM PST (7:00 PM Doors)
with The Yellow Payges / Dance Hall Pimps
Sunday, Dec 30, 2012 7:00 PM PST
Roxy Theatre, West Hollywood, CA
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Not sixty seconds into Beautiful Friction and it is clear; the haunting guitar of Jamie West-Oram, expressive synth of Rupert Greenall, pounding bass of Dan K. Brown, steady beat of Adam Woods and unforgettable vocals of Cy Curnin add up to the undeniable sound that could only be The Fixx. Apart, you couldn’t refute their talent, yet it’s together that they shine. Together, The Fixx has an incredibly strong voice, strong legacy and strong future.
Beautiful Friction, the band’s tenth album studio album, finds The Fixx sharper than ever. Never at a loss for what to say, Cy Curnin and company have the same thought-provoking intensity fueling their lyrics and performances as they ever have. Fired up and as hopeful as ever, the band continues to take us on a journey which started in 1982 with the release of Shuttered Room. Says Curnin, “There’s a theme that traces through The Fixx. Our catalogue is connected, our viewpoint as a collective has always been socially driven. With the Internet, things sped up, and we were able to get feedback quicker and became closer with our fan base. We’ve been so thankful to hear from people who let us know our music made a difference in their life. It made us realize we had a sense of responsibility to our audience, that our work as a band was unfinished.”
After seminal hits such as “One Things Leads to Another,” “Red Skies,” “Saved By Zero” and “Stand or Fall,” The Fixx has always been very conscious of making sure it had something to say. “At first, there wasn’t a motif floating around. Then new songs started to emerge and we had a theme. The first song for Beautiful Friction that we wrote together was “What God,” followed by “Follow that Cab,” and we agreed we had the meat.” Says Curnin, “As a whole, we were very focused on what was happening in the world around us and the legacy that was being left for our children, for everyone’s children. This album confronts our frustrations with the current socio-economic crises affecting the world, but it’s also quite hopeful.”
With Beautiful Friction, the band has created a backdrop of responsibility and the need to be accountable for actions. “It seems we’ve all ground to a bit of a halt with so much unrest, the Occupy movement, debt, war and more. We ultimately see the album as positive, eager for the dawn of a new era, the possibility to change the way we see the world and to view it with more optimism. That’s why we called it Beautiful Friction – the times we live in are tough, but there’s a beauty in that. There’s a hope.”