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The Reverend Peyton's Big Damn Band w/ Sicard Hollow
Fri, 18 Feb, 9:00 PM - 11:55 PM EST
Doors open
8:00 PM EST
Tuffy's Music Box
200 Myrtle Ave, Sanford, FL 32771
TICKET SALES TERMINATED
Tickets are currently unavailable on TicketWeb
Description
“I like songs that sound happy but are actually very sad,” Peyton says. “I don’t know why it is, but I just do.”
Of course, the greatest front-porch blues band in the world found itself sidelined from a relentless touring schedule because of the coronavirus pandemic. Peyton says he was surprised when his mind and soul unleashed a batch of new songs in March and April of 2020.“I think it was the stress of everything,” he says. “At the time, we were watching everything we know crash down. I didn’t know what was going to happen with our career, with our house, with food, with anything.”
Peyton wasn’t alone in uncertainty. It’s a feeling that gripped the world. Added to Peyton’s concerns were a lingering illness — perhaps undiagnosed COVID-19 — affecting “Washboard” Breezy Peyton, his wife and Big Damn Band member, as well as a cancer diagnosis for his father. A metaphorical wallop arrived when unpredictable weather in the rustic wilds of Southern Indiana knocked out power at the Peytons’ 150-year-old log cabin. For multiple days.
While Breezy rested and recovered, Peyton crafted songs in near darkness.
“Too Cool to Dance” might be interpreted as the album’s centerpiece for its message of not taking things for granted. The seize-the-moment anthem offers the chorus, “We may not get another chance. Oh, please don’t tell me you’re too cool to dance.”
“I was thinking about all the times where I’ve been somewhere and felt too cool to dance,” Peyton says. “I didn’t want to be that way. Not being able to do anything last year, I had this feeling of, ‘Man, I’m not going to waste any moment like this in my life — ever.’ ”
Peyton, the cover subject of Vintage Guitar magazine’s January 2020 issue, showcases his remarkable picking techniques on “Too Cool to Dance.” It’s rare to hear a fingerstyle player attack Chuck Berry-inspired licks with index, middle and ring fingers while devoting his or her thumb to a bass line. Yet the multi-tasking Peyton has made an art of giving the illusion he’s being accompanied by a bass player, despite the Big Damn Band’s roster featuring no one beyond himself, Breezy on washboard and Max Senteney on drums. “Too Cool to Dance” heats up thanks to Peyton’s 1954 Supro Dual Tone electric guitar. Once known exclusively for playing acoustic guitar in the country-blues tradition of Mississippi icons Charley Patton and Bukka White, Peyton has seemingly migrated north and plugged in with Chicago giants Howlin’ Wolf and Muddy Waters.
To document the livewire immediacy of Dance Songs for Hard Times, the Big Damn Band — including a healthy Breezy — made a pandemic road trip to Nashville to record with producer Vance Powell (four-time Grammy Award winner whose resume includes work with Chris Stapleton and Jack White).Peyton embraced Powell’s suggestion to turn back the clock and record no more than eight tracks of audio to analog tape. Minimal overdubs are heard on Dance Songs for Hard Times, and Peyton sang while playing guitar live in the studio.
Event Information
Age Limit
21+
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Events are rain or shine. No refunds.
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Country-Blues
The Reverend Peyton's Big Damn Band
The Reverend Peyton's Big Damn Band
Country-Blues
The Reverend Peyton’s Big Damn Band has performed in 38 countries and 48 states. They have been featured in Rolling Stone Magazine, Living Blues, Elmore, donned the cover of Vintage Guitar Magazine, have been #1 on the Billboard, iTunes and Sirius XM Blues Charts and have been nominated for three Blues Music Awards by the Blues Foundation in Memphis. The Indianapolis Star listed Reverend Peyton as one of the top 25 Hoosier musicians of all time.
Maybe you found the band because of virtuosic guitar playing? Maybe you came for the tent revival style live show? The reasons that brought you here could be extensive, but the reasons that keep bringing people back are HEART. Real, from the heart, music made by people who love music. The Sacramento Bee said, “It’s a group with boundless stockpiles of heart to spare — it cascades throughout every slip-n-slide vintage blues/soul ditty they tear through and croon in every show they play, and they always leave a little behind. The front porch is the church, the church is the dance hall and the dance hall is the river bank — your knees will fail you by the time you figure it all out.”
Often called, "the greatest front-porch blues band in the world" the Big Damn Band is led by Reverend Peyton, who is considered to be the premier finger pickers playing today. Rev has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour and David “Honeyboy” Edwards. Accompanied by Rev’s wife, the washboard virtuoso, Washboard Breezy Peyton, and kept on time by the deep rhythms of Jacob “The Snakob” Powell, Reverend Peyton’s Big Damn Band will leave you clapping, stomping, and singing along every handmade show across the world.
Their new record “Honeysuckle” was produced and recorded by Reverend Peyton and mixed by six time Grammy winner Vance Powell (Chris Stapleton, Jack White). The record features many special guests including gospel music group The McCrary Sisters on the song “Manger”, Blues Music Hall of Famer and Grammy nominated harmonica player Billy Branch who plays on the Blind Lemon Jefferson song “Nell (Prison Cell Blues)”, Grammy award winning and IBMA's 10-time Fiddle Player of the Year Michael Cleveland plays on "Freeborn Man" and Colton Crawford from The Dead South plays banjo on "The Good Die Young"
"This record is a bit of a return to my roots, a very personal mix of old and new songs that shaped me or that I’m currently shaping. It’s the most acoustic record we’ve made in years, vintage microphones, vintage guitars, vintage recording gear, and alot of me and my national guitar. There is a smattering of Big Damn Band thrown into the mix to spice things up, and a short list of legends that I’ve always dreamed of collaborating with", said Reverend Peyton.
Garage Rock
Sicard Hollow
Sicard Hollow
Garage Rock